An oddball curio, but the teen angst enhances its far-fetched premise.



In this thriller, a volatile teenager living in a nationalistic German community finds evidence that he’s part of a secret experiment that aims to re-create Adolf Hitler.

High schooler and first-person narrator Addie dwells in Upper Reichfield, Pennsylvania—a strange, closed-off community that no one ever seems to leave. Teutonic sitcoms, such as Leave It to Hauser, air on television, and classes teach propagandistic lessons about German/Nordic cultural supremacy. Addie works a bleak customs-office job, but he’s passionate about his paintings—and about leading his soccer team to victory against the so-called “lowlies” of a rival school from a poorer neighborhood. He’s courted by a blonde beauty named Ava, but he finds himself attracted to a biracial Lower Reichfield player named Shaylee. Her associates are involved in an art-forgery scheme, so they take advantage of Addie’s talents. Later, he and Shaylee discover a document from the late 1990s, stuffed in a drain, that indicates that Addie is actually a clone of an infamous tyrant named Hitler, who’s absent from Addie’s school history lessons. It also appears that everything around Addie is an elaborate setup to psychologically mold him into that villain of old. Will the petulant protagonist’s innate sense of rebellion make him a good guy despite his DNA? Readers who’ve ever wondered how a sequel to Ira Levin’s 1976 bestseller, The Boys from Brazil, might go will be the ideal readership for Ludwig’s (Planet of the Orb Trees, 2017) latest novel. It seems to be aimed at the YA market despite some R-rated elements, including raw language, a scene involving oral sex, and a violent Götterdämmerung climax. The tone hits a range of notes between Suzanne Collins’ 2010 book, Mockingjay, and Mel Brooks’ 1967 film, The Producers. Still, it’s striking and disconcerting when Ludwig makes a young, malfunctioning pseudo-neo-fascist speak in a voice not unlike Holden Caulfield’s. Even before the book tips its hand as sci-fi, it feels akin to past fabulist/surreal fiction, such as Günter Grass’ The Tin Drum (1959), which tried to interpret Nazism in avant-garde terms.

An oddball curio, but the teen angst enhances its far-fetched premise.

Pub Date: Nov. 12, 2018

ISBN: 978-0-9950441-9-7

Page Count: 322

Publisher: Heartlab Press Inc.

Review Posted Online: Oct. 4, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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