Satirical look at the restaurant industry and those who feed and are fed by it, with witty conversations and an intriguing...

HENRY FIRST

A STORY OF EXCESS

A restaurateur takes desperate measures in Lawrence’s delectably dark debut novel.

In an undisclosed locale (possibly London), chef Henry First busies himself in the kitchen of his restaurant, Firsts, preparing a meal designed to win a competition. Business has been off, as is, perhaps, his relationship with wife Dolores; it’s been some time since they made love. Loyal Dolores has news if only she can find the right moment to tell Henry, who’s drinking a bit much these days. An accident sends the kitchen into chaos, and then the judges arrive. Henry dutifully makes a hasty exit as critic Grant Whant muses about Firsts’ chances: The judges “would be concerned about ambience and their own self-importance. They expected a spectacle.” Patrice Czarny—magazine editor, “Amazonian Goddess” and Grant’s manager—heads the food division of Furness Kindle & Flint. She wants to buy Firsts, but Henry has no wish to join a “corporate crèche.” Given the behind-the-scenes mayhem, failure seems a foregone conclusion, but amazingly, the stock Henry created carries the day. Even his cantankerous, cancerous brother-in-law Felix Stoll likes it, its distinctive taste due to an ingredient seldom found in soup. Unstable Henry does the unthinkable, resorting to a successful if deranged business strategy; but in a media-steeped age, perhaps no one cares about the devil in the details. The show must go on and does, with deliciously droll scenes: For instance, when a staged, on-camera surgery goes awry, no worries—body doubles are available. As a character, tall white-blond Henry is a ghost in the making, a delightfully elusive vapor wafting through life, marriage and his past, struggling to remain afloat in fiercely competitive environs. In addition to wickedly comical moments, the novel serves up snappy dialogue, as when Patrice asks Henry: “Why can’t you think with your cock like a normal man?” The tone is surprisingly light, like an airy soufflé.

Satirical look at the restaurant industry and those who feed and are fed by it, with witty conversations and an intriguing man in the kitchen.

Pub Date: June 1, 2014

ISBN: 978-0957494510

Page Count: 264

Publisher: Pelta Books

Review Posted Online: Nov. 20, 2014

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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