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FORBIDDEN LOVE

An intriguing but uneven tale about two significant historical figures.

A Texas homestead inspires a debut historical romance about the interracial couple who originally settled there in the 1800s.

Sylvia Hector is born in Africa, the daughter of a queen and king, marked with an auspicious symbol of a blessing on her head. Shortly afterward, her parents are kidnapped by Portuguese “stealers” who transport them to America on a slave ship. Neither parent survives the voyage, but Koko, a mother onboard, adopts Sylvia and raises her as her own. Sylvia leads a relatively stable life since Koko is purchased for domestic work in Albany, New York. Sylvia is even educated alongside the family’s son. Meanwhile, John F. Webber of Vermont is working as a sales representative for “Debtor Furniture,” which is manufactured at the state’s debtor prison, when he travels to Albany to purchase lumber. He is taken with Sylvia’s beauty and intelligence, and they quickly begin courting. When he seeks to return to Vermont with her, the community brands their interracial relationship as an “immoral dalliance” involving a woman whose social status is that of a slave. Once Sylvia becomes pregnant, the couple decide to move somewhere they can be together without judgment, which means relocating outside the borders of the United States to the Texas Territory and building a home and settlement on what will become known as Webber’s Prairie. They will have 11 children and eventually wed in a ceremony, marking the first 19th-century mixed marriage. As the Texas Territory changes hands and wars are fought, the family survives and prospers. Kemp is the pen name of a husband-and-wife writing team. The authors drew inspiration from their Texas property’s notable history to create the novel’s promising premise. The opening passages recounting Sylvia’s birth and her parents’ deaths are emotionally powerful. And the book delivers rich details about the Webber family’s involvement in key historical events. But the tale sometimes reads more like a history lesson than a sweeping literary drama. The Webbers’ movements would be easier to follow with the inclusion of maps. In addition, the dialogue is often wooden and frequently utilizes distracting dialects. At one point, Koko tells Sylvia: “Oh, chil’, your mama was like da queen a’ Sheba. She loved ev’erbody an’ ev’erbody love her. But mos’ of all, she loved you more than anythin’ or anybody in the whole world.”

An intriguing but uneven tale about two significant historical figures.

Pub Date: Oct. 27, 2018

ISBN: 978-1-63363-349-0

Page Count: 264

Publisher: White Bird Publications

Review Posted Online: Nov. 28, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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