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THE KID WHO CLIMBED EVEREST

THE INCREDIBLE STORY OF A 23-YEAR-OLD’S SUMMIT OF MT. EVEREST

Occasionally breathless and clunky, this is a vivid and inspiring read all the same, sure to find a large audience among...

Another stone added to the growing mountain of Everest adventures.

Newcomer Grylls was serving in the British army in 1996 when he suffered a parachuting accident that left him with three broken vertebrae and a badly bruised spinal cord. In the months of physical therapy that followed, this avid climber rekindled a childhood dream to climb the world’s tallest peak—a feat that very few mountaineers younger than 30 have ever managed to pull off. “Everest is no place to prove yourself,” the author admits. “The likelihood of reaching the summit is so slim that you’re inevitably setting yourself up to be disappointed.” Even so, he talked his way into a slot on a 1998 British expedition led by a tough-as-nails ex-Marine commando who urged his teammates through the icy, windswept hells that Grylls describes quite effectively. For instance, he tells us that one area of Everest, the Icefalls, is so named because great spears of ice break off the sun-warmed slope in mid-afternoon, sharp and heavy enough to kill anyone standing “deep within the jaws of the overhang”; his account of the party’s race across the region is a fine set piece that doesn’t compare at all badly to the best Everest narratives. Against all odds, the author endured the Icefalls, the Lhotse Face, and other challenges the mountain threw up along the way, eventually arriving at the aptly named Death Zone, where, hyperventilating, he communed with the body of Rob Hall (whose death stands at the dramatic heart of Jon Krakauer’s 1997 account, Into Thin Air) and then took the summit—all at the tender age of 23.

Occasionally breathless and clunky, this is a vivid and inspiring read all the same, sure to find a large audience among outdoor-adventure and climbing buffs.

Pub Date: May 1, 2001

ISBN: 1-58574-250-3

Page Count: 304

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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DUMB LUCK AND THE KINDNESS OF STRANGERS

In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.

The latest collection of interrelated essays by the veteran fishing writer.

As in his previous books—from The View From Rat Lake through All Fishermen Are Liars—Gierach hones in on the ups and downs of fishing, and those looking for how-to tips will find plenty here on rods, flies, guides, streams, and pretty much everything else that informs the fishing life. It is the everything else that has earned Gierach the following of fellow writers and legions of readers who may not even fish but are drawn to his musings on community, culture, the natural world, and the seasons of life. In one representatively poetic passage, he writes, “it was a chilly fall afternoon with the leaves changing, the current whispering, and a pale moon in a daytime sky. The river seemed inscrutable, but alive with possibility.” Gierach writes about both patience and process, and he describes the long spells between catches as the fisherman’s equivalent of writer’s block. Even when catching fish is the point, it almost seems beside the point (anglers will understand that sentiment): At the end of one essay, he writes, “I was cold, bored, hungry, and fishless, but there was still nowhere else I’d have rather been—something anyone who fishes will understand.” Most readers will be profoundly moved by the meditation on mortality within the blandly titled “Up in Michigan,” a character study of a man dying of cancer. Though the author had known and been fishing with him for three decades, his reticence kept anyone from knowing him too well. Still, writes Gierach, “I came to think of [his] glancing pronouncements as Michigan haiku: brief, no more than obliquely revealing, and oddly beautiful.” Ultimately, the man was focused on settling accounts, getting in one last fishing trip, and then planning to “sit in the sun and think things over until it’s time for hospice.”

In these insightfully droll essays, Gierach shows us how fishing offers plenty of time to think things over.

Pub Date: June 2, 2020

ISBN: 978-1-5011-6858-1

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: Jan. 21, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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PERSIMMON WIND

A MARTIAL ARTIST'S JOURNEY IN JAPAN

A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich...

A reflective and entertaining journey through Japan, as the author seeks to reconnect with his martial arts sensei.

Lowry is a student of koryu (not to be confused with kendo), a style of Japanese classical swordsmanship. Koryu is a medieval art, like Noh and the tea ceremony, a style of combat born on the battlefield–but more importantly, it’s a way to address the world (though an esoteric one: Lowry may well be the only American practicing the art in the United States). Indeed, present-day practitioners refrain from exercising its fatal possibilities. Lowry’s sensei left the U.S. to return to Japan, urging Lowry to follow. Though his life headed in a different direction, he never forgot his training–when the time was ripe, he journeyed to Japan to join his sensei. The narrative revolves around this pivotal decision, and it provides a warm center from which the author expounds on such topics as the glories of a Japanese bath; the evolution of the Samurai caste; the peculiarities of Japanese landscape architecture; the elements of proper sandal-tying; the custom of the premarital shenanigans called yobai; and the teachings of mikkyo Buddhism. He also includes the vital story of the sword–what it reveals about Japanese life and technology, social structure and aesthetic values, etiquette, apprenticeship and the process of education. Lowry’s seriousness lends an earnest cast to the proceedings, but he’s not without a sense of humor–commenting upon his accomplished slurping of noodles, a friend’s wife notes, “He really sucks!”

A broad and deep look at Japan’s medieval referents, and a capable illustration of a martial art form steeped in rich tradition.

Pub Date: Sept. 7, 2005

ISBN: 1-890536-10-5

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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