THE GLIMMER PALACE

While Germany falls apart, a determined girl with a dark past becomes a screen goddess, in the British author’s intelligent if lengthy latest novel (Disappearing Act, 2002, etc.).

Orphaned Lilly Nelly Aphrodite is destined for fame, but her route will be circuitous, eventful and unhappy. A neglected, rebellious infant, she spends her early years in a bleak orphanage, is impregnated by her first employer, undergoes an abortion, nearly starves during World War I and marries a beautiful soldier who is then declared missing in action. What sustains Lilly are her lifelong friendship with fellow orphan Hanne and her resolute spirit. As the war ends and Berlin begins its slide into political chaos, Lilly gets a typing job at the Deutsche Bioscop studio, then finds herself acting in a film under the direction of Russian Ilya Yurasov, with whom she falls in love. A natural on the screen, Lilly is soon a star, but shadows are gathering in the form of Ilya’s long-lost fiancé Katya; Lilly’s husband (not dead after all, but disfigured); and of course the Nazis. Colin’s tale of friendship, fate and fascism begins with an irreverent, quirky tone but soon turns more brooding. Happy endings are few.

The freshness fades as the drawn-out, downbeat story traverses familiar terrain to reach its doomed conclusion.