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THE ANIMATED TALE OF BENJAMIN BUNNY

Though not quite the equal of Loud Crow’s spectacular Beatrix Potter adaptations, this does give the tale a fresh...

Benjamin leads his sick cousin Peter into another traumatic outing to Mr. McGregor’s garden in this cozy if not quite streamlined digital rendition of the 1904 classic.

Designed to look like an early print edition, in landscape orientation, each screen shows two antiqued “pages,” with text placed on the left and on the right, an elaborately animated version of the original illustration. In portrait mode, only the enlarged illustrations are visible, and the effect is even more movielike; the figures have even been lip-synced with the narration. Within layered settings that move independently to create a 3-D impression, Benjamin, a wilted-looking Peter, the cat that traps the two interlopers under a basket for five hours and Benjamin’s pipe-smoking, switch-wielding father move from multiple joints like expertly manipulated marionettes. There are no sound effects, but a piano chimes in the background as an expressive narrator (optionally) reads, and there is a self-record option too. At four points, the story pauses distractingly to offer readers a jigsaw puzzle, and for all the sophisticated design within the art, the page turns are stiff and jerky.

Though not quite the equal of Loud Crow’s spectacular Beatrix Potter adaptations, this does give the tale a fresh reboot—respectful enough to retain the full text with its corporal punishment and smoking references. (iPad storybook app. 5-8)

Pub Date: Aug. 11, 2012

ISBN: N/A

Page Count: -

Publisher: The Wundershop

Review Posted Online: Sept. 11, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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BECAUSE YOUR DADDY LOVES YOU

Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)

Pub Date: May 23, 2005

ISBN: 0-618-00361-4

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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