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SNAKE OIL

THE ART OF HEALING AND TRUTH-TELLING

A simple, comforting reflection on one woman's crusade to make a difference in the world.

A memoir of hands-on healing.

Concerned that abused women and victims of prostitution, sex trafficking and drug addictions often have no place to turn for help, Rev. Stevens founded Magdalene and Thistle Farms, a program named by the White House as one of 2011's "15 champions of change." The author provides women with two years of "housing, food, medical and dental expenses, therapy, education and job training—all at no cost to them.” The residents have ready-made employment creating healing oils and natural body-care products that are sold across the United States. No stranger to sexual abuse herself, Stevens feels deeply that a hands-on approach is necessary to help these battered women on a lifelong journey toward recuperation. "The Magdalene homes needed to be creative, practical, and joyful," she writes. "They needed to be sanctuaries where women were absolutely safe, not just physically, but safe enough to follow their own instincts toward healing." Stories of Stevens’ past and her determination to become a minister blend with stories of some of the women who have lived and thrived in the Magdalene program. The author spends considerable time analyzing the origins of the term "snake oil" and how, over time, it morphed from meaning something having healing properties to the more current connotation of something shifty or shady. But her program is anything but underhanded. Christian readers will connect with Stevens’ philosophies, and those interested in creating healing oils will find the included recipes helpful.

A simple, comforting reflection on one woman's crusade to make a difference in the world.

Pub Date: March 12, 2013

ISBN: 978-1-4555-1906-4

Page Count: 224

Publisher: Jericho Books/Hachette

Review Posted Online: Feb. 3, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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