Provocative, disturbing group of novellas that humanize international problems of violence and the plight of refugees.
A collection of three disquieting novellas featuring young women seeking better lives, from prolific Venezuelan-Danish author Tarazona (Daggryets Barn, 2014).
In the first novella, 29-year-old Saja, a well-educated, formerly well-off Sri Lankan, finally accepts that her political prisoner husband is dead. She seeks asylum in Denmark, but her life at the refugee camp there is troublesome. Forced to deal with racism, jealousy and would-be rapists, Saja finally receives word her application has been approved by the Danish Immigration Service. Building a new life for herself, she becomes involved with Peter, an immigration employee who is fired due to their relationship—a minor hurdle as they work toward a future together. In the second story, young Yonna’s entire Wayuu family is massacred by a rival clan. After her captor rapists tire of her, she finds a degree of safety weaving for a tradeswoman in Maracaibo. She is rescued by Dorothea “Thea” Weiss, a German expatriate. They form a close bond, and newly confident Yonna meets Daniel, a Danish engineer working in Venezuela. The two embark on a romantic adventure, uncertain what the future will bring. In the third story, Taraji, the least sympathetic of the young women affected by violence, was adopted from South Africa by a Danish couple, Jacob and Liva. When teenage Taraji begins asking questions about her birth parents, she misinterprets Liva’s reticence as insecurity rather than protective instinct; Liva doesn’t wish Taraji to know that her conception resulted from a violent rape. Despite her loving parents and stable boyfriend, Taraji embarks on self-destructive behavior. While the stories have an optimistic tone, the voyages in all three are painful ones. Saja and Yonna both exhibit great strength of character and highly developed principles; Taraji shows willfulness and selfishness. Saja’s story is perhaps the most affecting as the reader witnesses the disbelief of Danish authorities that she could be an educated, intelligent young woman; they see only a destitute woman who must be lying about her past. Perhaps the most shocking aspect of the stories is that all three are set in the recent past—1990s through the present—a time that, we’d like to think, should be more enlightened.
Provocative, disturbing group of novellas that humanize international problems of violence and the plight of refugees.Pub Date: Nov. 5, 2014
ISBN: 978-8799737949
Page Count: 324
Publisher: CreateSpace
Review Posted Online: Nov. 11, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
