In her reporting, researching, and sharing, Boggs has performed a public service for those in a similar position—and for...

THE ART OF WAITING

ON FERTILITY, MEDICINE, AND MOTHERHOOD

So much more than a memoir about trying to conceive.

The situation in which Boggs (Mattaponi Queen, 2010) found herself has become increasingly common and is thus likely to resonate with a large readership. Having long put any thought of motherhood on hold—using birth control and focusing on her writing, career, husband, and the other priorities of a life without children—she figured that she would get pregnant when it was time. And when it was time, and then it seemed like time was running out, she couldn’t. A book about the author and her husband might have seen suspense build along with expenses, with new and different options explored as readers wonder whether all of this will result in a baby. But this deeply empathetic book is about more than one woman’s challenge; it’s about the whole scope of maternal urges, of how culture (and literature) treat the childless (or “childfree”), how biases against medical intervention serve to stigmatize those who need such expensive (and not always successful) assistance, and how complicated can be the decisions about whether to adopt rather than continuing to attempt to conceive, the moral dimensions of international adoption (and surrogates), the additional hurdles facing gay couples, and the seemingly arbitrary differences between states as to what procedures are covered and to what financial limit. While dropping a couple of offhand references early on to the fact that, yes, she became a mother, Boggs writes with considerable heart and engagement about the decisions that are so tough for so many. “Nothing about this experience had been what we expected when we thought of having children, or even when we first guessed that the road to parenthood might be a long one,” she reflects. “It was more uncomfortable and expensive than we imagined, and less private.”

In her reporting, researching, and sharing, Boggs has performed a public service for those in a similar position—and for anyone interested in the implications of parenthood or in a story well-told and deeply felt.

Pub Date: Sept. 6, 2016

ISBN: 978-1-55597-749-8

Page Count: 256

Publisher: Graywolf

Review Posted Online: April 13, 2016

Kirkus Reviews Issue: May 1, 2016

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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