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NABOKOV'S FAVORITE WORD IS MAUVE

AND OTHER EXPERIMENTS IN LITERATURE

If you want to know how many times Chuck Palahniuk uses the verb “snuff,” this is just the thing. Illuminating entertainment...

Literary criticism by the numbers.

Writers write—and write and write. In fact, notes former Slate staffer Blatt (co-author: I Don't Care if We Never Get Back: 30 Games in 30 Days on the Best Worst Baseball Road Trip Ever, 2014), they write more once they get going than when they started. A useful example is J.K. Rowling, whose first Harry Potter book came in at 78,000 words—but who wrote a follow-up three times as long. “If the unknown Rowling had written an 870-page version of the first book in 1997,” writes the author, “it would likely have had a much harder time getting published (and getting readers to pick it up).” We are able to know things such as book inflation by applying techniques of big data to the corpus of literature. In Blatt’s opening examples, the discussion centers on adverbs, which writers such as Stephen King and Ernest Hemingway have scorned. By doing part-of-speech searches of whole books or even just looking for words that end in -ly (only one class of adverb, as Blatt notes), we can see that those two authors didn’t always practice what they preached—and again, that Hemingway’s early, harder-worked books were leaner than his later ones, True at First Light being almost twice as adverbial as The Sun Also Rises. One takeaway for writers: “The best books—the greats of the greats—do use a lower rate of -ly adverbs.” Statistical approaches to literature have sometimes produced barren results, but Blatt has obvious fun poking around in the stacks, conducting literary experiments that sometimes turn into object lessons: if you want to write like a Brit, use “brilliant,” but not too much, lest you sound like an American trying to sound like a Brit. If you want to avoid ridicule, avoid clichés like “past history.” And always avoid opening with the weather—unless you’re Danielle Steel.

If you want to know how many times Chuck Palahniuk uses the verb “snuff,” this is just the thing. Illuminating entertainment for literary readers.

Pub Date: March 14, 2017

ISBN: 978-1-5011-0538-8

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: Dec. 25, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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