A well-written, fast-paced, and satisfying historical adventure.

H.M.S. BARABBAS

From the Further Adventures of Jim Hawkins series , Vol. 1

In this series opener and pastiche sequel to Robert Louis Stevenson’s Treasure Island (1883), Jim Hawkins’ plans to become a doctor are scuttled when he’s forced into another seaborne adventure.

It’s four years after the events described in Treasure Island, said here to have been written as a memoir by James “Jim” Hawkins. Jim, now 17, has enough takings from his treasure and his book to make him a rich man. Most of the money is held in trust until Jim is 21, but it’s time to consider a profession. He decides that, like family friend Dr. David Livesey, he too will become a physician and help “make the world a better place.” Dr. Livesey arranges for an apprenticeship to his friend, Dr. John Taylor, a surgeon at St.  Bartholomew’s Hospital in London. While waiting for a boat to London, Jim can stay with Dr. Livesey’s sister in Plymouth. All well and good—but while in Plymouth, Jim is press-ganged aboard the ominously named HMS Barabbas and put to work as captain’s steward, becoming apprenticed to Dr. Wilequet, knowledgeable but usually drunk. Jim soon learns that not all pirates sail under the skull and bones, and that his own memoir—which mentions still-buried treasure—has put him in danger. He’ll need courage, wits, and luck to get back to dry land. Jeapes (The Xenocide Mission, 2018, etc.) offers a nicely judged take on a classic historical adventure novel. With an occasional slip into modern diction, Jeapes generally reproduces the speech rhythms and vocabulary of Stevenson’s novel successfully, and he provides vividly authentic descriptions of life (and death) aboard ship: “Jim just had a moment to see the water around the target erupt with white splashes, before the cloud of smoke that had burst from the guns blew back across the ship. A chemical stink tore at the back of his throat and stung his eyes.” Moments of humor, a little romance, and just desserts help enliven the sometimes-dark proceedings.

A well-written, fast-paced, and satisfying historical adventure.

Pub Date: June 10, 2019

ISBN: 978-1-07-305745-0

Page Count: 304

Publisher: Time Tunnel Media

Review Posted Online: Aug. 7, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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