The personification of death stumbles on companionship in the small British city where he lives, as he continues standing sentinel beside people in their last moments.
Narrator Travis Smith is “inside everything”—ebullient mayflies, skittish deer, and the people around him. He’s privy to how long they’ll live and to every intricacy of their lives, his job to stand witness to people’s dying moments. He’s never challenged this role, even as the ever-present noise sometimes overwhelms him. But Travis finds his isolated, detached life disrupted by Dalia, a midwife, and her two young daughters, who live in the flat across the hall. Through them, he unintentionally becomes a participant in life in a new way. The novel captures the seemingly contradictory idea of beauty in scenes of pain. The violence of a car crash is juxtaposed with the natural world surrounding it, the banality of everyday life continuing even as one life stops. This tension is woven throughout, as readers glimpse Travis’ work as a witness to people’s dying moments. In short passages in which Travis describes a person’s end and salient events in their life, we see a well-etched character for whom death can be relief, terror, or perhaps the ultimate injustice. Author Reeves has a keen eye for the salient detail, making the reader become emotionally invested in characters seen only briefly. As Travis’ narration moves from his work to the quiet yet increasingly meaningful time he spends with his neighbors, it illuminates a microcosm of the cycles of life and death, as glimpsed through the natural world and scenes with community members. Conversations feature crisp dialogue and moments of silence that emphasize how loss and grief can’t always be articulated and comfort can’t always be given. As Travis’ relationships with his neighbors grow, his sense of himself as a person outside his role also evolves, and his job begins to burden him emotionally. Through Travis, we see the beauty of love and small moments of companionship and connection, all the more powerful for the fact of life’s brevity and unpredictable end.
An evocative, kaleidoscopic affirmation of life from the perspective of Death.