Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

TALK TILL THE MINUTES RUN OUT

AN IMMIGRANT'S TALE AT 7-ELEVEN

A consistently engrossing work of literature filled with beautiful expressions of despair.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

A Pakistani exile in the United States is tortured by a prolonged absence from his family and homeland in Grima’s (The Performance of Emotion Among Paxtun Women, 1992) novel.

Nur Ali grew up in the Swat Valley in northern Pakistan, a place that he considered “idyllic” before the Taliban commandeered it. These conquerors were eventually pushed out, but the Pakistani soldiers who replaced them were equally brutal and corrupt governors of the land. Nur eventually left Pakistan in order to make a better living for his family, and his departure unexpectedly lasts for 15 years, and his separation from his family is an implacable source of anxiety and depression for him. He spends most of his time working at a 7-Eleven convenience store—an astonishing 84 hours a week, and each and every day he lives frugally so that he can send every possible penny to his family. From his near-constant perch at the store, he does his best to run his household in Pakistan, nervously grilling his wife, Shahgofta, for information and trying hard to project a sense of leadership halfway across the globe: “From a world away behind his 7-Eleven counter, once again the exiled head of family had resolved a major family crisis and maintained the balance of forces within the clan.” But as problems mount—his granddaughter falls ill, soldiers harass the family, and his brother steals money and effectively takes over his home—Nur finds that fulfilling his duties as head of the family, a revered “qaida,” becomes nearly impossible. Grima worked for a decade as an ethnographer in the Swat Valley, and she writes from deep reserves of scholarly expertise and personal experience, both of which radiate from each page. She not only draws a gripping picture of the Swat Valley’s culture, before and after the war on terrorism transformed it, but also of a tightknit community of Pakistani exiles in the United States—a network that Nur all but runs, in a lovingly avuncular fashion. As he grows old and his health begins to fail, he desperately wants to return home, and he finds meager consolation for his “exiled existence” in memories of a happier, less complicated time. The United States presents its own set of problems for him—he encounters vitriolic prejudice, and the store is regularly robbed—and the author smartly and unflinchingly describes his less-than-utopian circumstances. Nur’s nostalgic pain is almost unbearably poignant at times: “I swear, we have nothing left. Our homes are destroyed, our families dispersed. There are no men to look after the women or farm the fields. We have nothing left, and yet they still come after us.” Grima’s prose is largely Spartan in style, unadorned by poetic embellishments but powerfully direct—creating a feeling that unalloyed truth is on offer, without excessive sentiment or melodrama. It also offers a wonderfully edifying portrait of Pakistani people in their native country and of those in exile from it.

A consistently engrossing work of literature filled with beautiful expressions of despair.

Pub Date: Dec. 1, 2019

ISBN: 978-1-73322-898-5

Page Count: 288

Publisher: HigherLife Publishing

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 187


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 187


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

NORMAL PEOPLE

Absolutely enthralling. Read it.

Awards & Accolades

Likes

  • Readers Vote
  • 20


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • New York Times Bestseller


  • IndieBound Bestseller

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

Categories:
Close Quickview