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ORIGINAL SINS

Name: ORIGINAL SINS
Author: Benjamin Beit-Hallahmi
ISBN: 1-56656-130-2

REFLECTIONS ON THE HISTORY OF ZIONISM AND ISRAEL

by Benjamin Beit-Hallahmi ‧ RELEASE DATE: Dec. 1, 1993

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A critical and largely one-sided view of modern Zionism and the history of Israel. According to Beit-Hallahmi (The Israeli Connection, 1987), who sees the Palestinians as innocent victims of foreign colonialism, Israel is plagued by a curse—``the curse of the original sin against the native Palestinians''—and there will be no peace until it atones for its sins. The author first establishes that, in modern times, the majority of Jews have had only a vague understanding of rabbinical Judaism (which he depicts as a kind of primitive mythology). Zionism, he says, offers these ``sociological'' Jews an identity—but the Zionist movement is doomed because ``it desired national territory occupied by another national group...with its own normal existence.'' Moreover, because the Jewish people have no legitimate claim to the land of Israel, while they occupy it they can never enjoy their own ``normal'' existence. Though provocative, Beit-Hallahmi's argument is marred by inaccuracies and generalizations. He claims, for instance, that ``all Israelis have come to recognize Zionism's original sin against the Palestinians.'' A look at Israel's electorate, however, makes it clear that most Israelis assume no such culpability. Furthermore, in discussing Hebrew and Yiddish, the author contends that ``Yiddish remains the language of the Orthodox, who have always opposed Zionism.'' In fact, though, most Israeli Orthodox Jews under age 60 speak only Hebrew, and only a small minority aren't fervent nationalists. Engaging but misleading. Here again, as in too much writing on the Middle East, sincerity has replaced balanced analysis.

Pub Date: Dec. 1, 1993

ISBN: 1-56656-130-2

Page Count: 224

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1993

Categories:

HISTORY | WORLD | GENERAL NONFICTION

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IN MY PLACE

by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

Categories:

GENERAL NONFICTION | BIOGRAPHY & MEMOIR

- BOOK REVIEW
MY PEOPLE
by Charlayne Hunter-Gault

- BOOK REVIEW
TO THE MOUNTAINTOP
by Charlayne Hunter-Gault

- BOOK REVIEW
NEW NEWS OUT OF AFRICA
by Charlayne Hunter-Gault

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A LITTLE HISTORY OF POETRY

by John Carey ‧ RELEASE DATE: April 21, 2020

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

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A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.