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FACE

Looks may not be everything, but few high-school students would deny that physical appearance is connected to self-esteem and social standing. Zephaniah (Refugee Boy, p. 814) explores this theme wherein Martin, a good-looking, confident youngster, is burned and facially disfigured during a car crash. After a prolonged, somewhat tedious setup that introduces Martin and his world and then delineates his hospital stay, Zephaniah gets to the meat of his story—how Martin’s altered face affects his feelings about himself and his relationships with others. Martin proves to be a champion survivor, attending classes as soon as he’s physically able, then joining and becoming the captain of the school gymnastics team. A devastating experience—he’s surrounded by group of younger kids who viciously taunt him about his looks—temporarily drives Martin off the team and back to the safety of his room. But he soon finds the courage to soldier on, leading his team in a freestyle gymnastic routine of his own devise. By showing up and competing at the tournament, he learns that, “It’s not the winning that matters . . . it’s the being here.” It’s a strong idea, but the story, which is set in Britain, never feels like it’s plumbed the depths of the situation fully. The exposition is stilted, Martin’s adjustment is too easy, and the author, by over-explaining how Martin feels and what he’s learned, doesn’t allow the reader to experience his situation viscerally. Nonetheless, a worthy subject that should give kids plenty to think about. (Fiction. 10+)

Pub Date: Nov. 1, 2002

ISBN: 1-58234-774-3

Page Count: 208

Publisher: Bloomsbury

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2002

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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  • New York Times Bestseller

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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BETTER THAN THE MOVIES

Exactly what the title promises.

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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