A thorough, at times dazzling, display of physics taking on physics, raising many questions as it throws a withering...
A challenging rebuke to many of the foundation stones of physics.
Launier has many bones to pick with the way in which the science of physics is conducted, most notably its disassociation with simple logic and commonsense, and he tackles them with vigor. “Physics is about elucidating the mechanics of our materialistic environment; but unfortunately, in too many instances, it is deceived by mysticism, vanity, and/or blind idolism.” The idea espoused in his book rests upon the principle that a physical equation must accurately describe how a physical event unfolds, without the inconsistencies and incongruities that pepper the field. In that sense, and as a card-carrying skeptic, Launier makes you do that most elementally gratifying thing—stop and think. Take a minute—well, at 700 densely composed pages, a few minutes—and run a test or two. Watch closely as he displays how Young’s classical kinetic energy equation founders when run in conjunction with the conservation of energy law, using the same figures and parameters. Observe how he shrewdly delineates his quarrels with relativity theory. Launier is happy to give credit where it is due—Newton’s corollary 1 vector theory works for him, corollary 2 doesn’t; he appreciates Feynman’s work regarding interactions between elementary particles and their carrier bosons. And he is bold, but practical, with his own constructs: “Einstein’s idea, that the transfer of energy always involves a proportional transfer of mass, is illusory. If there is an increase in energy, it involves a proportional increase in mass and/or a proportional increase in velocity.” He moves steadily forward, starting with energy, on through time, forces, gravity, light; pointing to where scientific orthodoxy caused the fudging of experiments; tendering corrections where he has been able, freely admitting when he is flummoxed.
A thorough, at times dazzling, display of physics taking on physics, raising many questions as it throws a withering spotlight on old favorites.Pub Date: March 11, 2011
ISBN: 978-1456560201
Page Count: 702
Publisher: CreateSpace
Review Posted Online: May 5, 2011
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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