An entertaining coming-of-age story that offers both hilarious and poignant moments.
A young gay man in Atlanta starts to flourish during a drag competition.
Wall’s debut novel centers on Tyler—a gay man living in Clayton, Georgia, a mountain town in the northeastern corner of the state. Tyler works what he considers a dead-end job, and he lives at home with his mother, Daisy Mae, who doesn’t approve of his sexuality and frequently tells him “my heart has been broken ever since you told me you were gay.” Tyler is convinced to leave his oppressive home and head to nearby Atlanta by his friend Marjorie. He moves in with her—it’s his first step toward building a thriving romantic and social life as a gay man. Tyler lands a job at an upscale hotel in town, and he begins hanging out at Club Cabaret: a rollicking gay nightclub that features drag shows. Life gets more exciting when Tyler decides to become a drag queen, Desiree, and enter the Miss Club Cabaret competition—an event that is several months long, in which participants “will be partnered with a charity” of their choice for fundraising purposes. The contestant who collects the most money receives the ultimate prizes: the tiara on display at the bar and bragging rights in the drag community. The tale follows Tyler as he sets off to win riches for his charity, Atlanta Street Rescue, and it traces his trials and tribulations as he hosts benefits as Desiree, makes (and loses) new friends, and tries to navigate a tumultuous dating life. The characters in Wall’s book—including Tyler—are particularly vivid. There’s Albert, the “conservative gay…in a button-down light blue Oxford, khaki pants, and dusty bucks”; Athena Parthenos, a fiercely competitive drag queen determined to take down her rivals—in any manner necessary; and Marni, the club owner, who becomes a mentor figure to the contestants. The lighthearted book is quite racy and packed with explicit and often riotous sex scenes, but it also tackles several serious, weighty issues—particularly what it feels like for a gay individual to struggle with acceptance from a disapproving parent.
An entertaining coming-of-age story that offers both hilarious and poignant moments.Pub Date: Jan. 18, 2017
ISBN: 978-1-5410-1512-8
Page Count: 394
Publisher: CreateSpace
Review Posted Online: May 17, 2017
Kirkus Reviews Issue: June 15, 2017
Review Program: Kirkus Indie
A vivid sequel that strains credulity.
Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.
At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.
A vivid sequel that strains credulity.Pub Date: Feb. 11, 2020
ISBN: 978-1-982113-60-5
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 20, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
A straightforward tale of kindness and paying it forward in 1980s New York.
When advertising executive Schroff answered a child’s request for spare change by inviting him for lunch, she did not expect the encounter to grow into a friendship that would endure into his adulthood. The author recounts how she and Maurice, a promising boy from a drug-addicted family, learned to trust each other. Schroff acknowledges risks—including the possibility of her actions being misconstrued and the tension of crossing socio-economic divides—but does not dwell on the complexities of homelessness or the philosophical problems of altruism. She does not question whether public recognition is beneficial, or whether it is sufficient for the recipient to realize the extent of what has been done. With the assistance of People human-interest writer Tresniowski (Tiger Virtues, 2005, etc.), Schroff adheres to a personal narrative that traces her troubled relationship with her father, her meetings with Maurice and his background, all while avoiding direct parallels, noting that their childhoods differed in severity even if they shared similar emotional voids. With feel-good dramatizations, the story seldom transcends the message that reaching out makes a difference. It is framed in simple terms, from attributing the first meeting to “two people with complicated pasts and fragile dreams” that were “somehow meant to be friends” to the conclusion that love is a driving force. Admirably, Schroff notes that she did not seek a role as a “substitute parent,” and she does not judge Maurice’s mother for her lifestyle. That both main figures experience a few setbacks yet eventually survive is never in question; the story fittingly concludes with an epilogue by Maurice. For readers seeking an uplifting reminder that small gestures matter.
Pub Date: Nov. 1, 2011
ISBN: 978-1-4516-4251-3
Page Count: 288
Publisher: Howard Books/Simon & Schuster
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Sept. 1, 2011
BOOK REVIEW
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