An entertaining coming-of-age story that offers both hilarious and poignant moments.
A young gay man in Atlanta starts to flourish during a drag competition.
Wall’s debut novel centers on Tyler—a gay man living in Clayton, Georgia, a mountain town in the northeastern corner of the state. Tyler works what he considers a dead-end job, and he lives at home with his mother, Daisy Mae, who doesn’t approve of his sexuality and frequently tells him “my heart has been broken ever since you told me you were gay.” Tyler is convinced to leave his oppressive home and head to nearby Atlanta by his friend Marjorie. He moves in with her—it’s his first step toward building a thriving romantic and social life as a gay man. Tyler lands a job at an upscale hotel in town, and he begins hanging out at Club Cabaret: a rollicking gay nightclub that features drag shows. Life gets more exciting when Tyler decides to become a drag queen, Desiree, and enter the Miss Club Cabaret competition—an event that is several months long, in which participants “will be partnered with a charity” of their choice for fundraising purposes. The contestant who collects the most money receives the ultimate prizes: the tiara on display at the bar and bragging rights in the drag community. The tale follows Tyler as he sets off to win riches for his charity, Atlanta Street Rescue, and it traces his trials and tribulations as he hosts benefits as Desiree, makes (and loses) new friends, and tries to navigate a tumultuous dating life. The characters in Wall’s book—including Tyler—are particularly vivid. There’s Albert, the “conservative gay…in a button-down light blue Oxford, khaki pants, and dusty bucks”; Athena Parthenos, a fiercely competitive drag queen determined to take down her rivals—in any manner necessary; and Marni, the club owner, who becomes a mentor figure to the contestants. The lighthearted book is quite racy and packed with explicit and often riotous sex scenes, but it also tackles several serious, weighty issues—particularly what it feels like for a gay individual to struggle with acceptance from a disapproving parent.
An entertaining coming-of-age story that offers both hilarious and poignant moments.Pub Date: Jan. 18, 2017
ISBN: 978-1-5410-1512-8
Page Count: 394
Publisher: CreateSpace
Review Posted Online: May 17, 2017
Kirkus Reviews Issue: June 15, 2017
Review Program: Kirkus Indie
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after...
Self-help advice and personal reflections on avoiding spousal fights while raising children.
Before her daughter was born, bestselling author Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.) enjoyed steady work and a happy marriage. However, once she became a mother, there never seemed to be enough time, sleep, and especially help from her husband. Little irritations became monumental obstacles between them, which led to major battles. Consequently, they turned to expensive couples' therapy to help them regain some peace in life. In a combination of memoir and advice that can be found in most couples' therapy self-help books, Dunn provides an inside look at her own vexing issues and the solutions she and her husband used to prevent them from appearing in divorce court. They struggled with age-old battles fought between men and women—e.g., frequency of sex, who does more housework, who should get up with the child in the middle of the night, why women need to have a clean house, why men need more alone time, and many more. What Dunn learned via therapy, talks with other parents, and research was that there is no perfect solution to the many dynamics that surface once couples become parents. But by using time-tested techniques, she and her husband learned to listen, show empathy, and adjust so that their former status as a happy couple could safely and peacefully morph into a happy family. Readers familiar with Dunn's honest and humorous writing will appreciate the behind-the-scenes look at her own semi-messy family life, and those who need guidance through the rough spots can glean advice while being entertained—all without spending lots of money on couples’ therapy.
A highly readable account of how solid research and personal testing of self-help techniques saved a couple's marriage after the birth of their child.Pub Date: March 21, 2017
ISBN: 978-0-316-26710-6
Page Count: 272
Publisher: Little, Brown
Review Posted Online: Jan. 17, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.
Ruminations and reminiscences of an author—now in his 70s—about fatherhood, writing, and death.
O’Brien (July, July, 2002, etc.), who achieved considerable literary fame with both Going After Cacciato (1978) and The Things They Carried (1990), returns with an eclectic assembly of pieces that grow increasingly valedictory as the idea of mortality creeps in. (The title comes from the author’s uncertainty about his ability to assemble these pieces in a single volume.) He begins and ends with a letter: The initial one is to his first son (from 2003); the terminal one, to his two sons, both of whom are now teens (the present). Throughout the book, there are a number of recurring sections: “Home School” (lessons for his sons to accomplish), “The Magic Show” (about his long interest in magic), and “Pride” (about his feelings for his sons’ accomplishments). O’Brien also writes often about his own father. One literary figure emerges as almost a member of the family: Ernest Hemingway. The author loves Hemingway’s work (except when he doesn’t) and often gives his sons some of Papa’s most celebrated stories to read and think and write about. Near the end is a kind of stand-alone essay about Hemingway’s writings about war and death, which O’Brien realizes is Hemingway’s real subject. Other celebrated literary figures pop up in the text, including Elizabeth Bishop, Andrew Marvell, George Orwell, and Flannery O’Connor. Although O’Brien’s strong anti-war feelings are prominent throughout, his principal interest is fatherhood—specifically, at becoming a father later in his life and realizing that he will miss so much of his sons’ lives. He includes touching and amusing stories about his toddler sons, about the sadness he felt when his older son became a teen and began to distance himself, and about his anguish when his sons failed at something.
A miscellany of paternal pride (and frustration) darkened by the author’s increasing realizations of his mortality.Pub Date: Oct. 14, 2019
ISBN: 978-0-618-03970-8
Page Count: 384
Publisher: Houghton Mifflin Harcourt
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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