by Bernadette Miller ‧ RELEASE DATE: N/A
A collection of stories that vividly depict New York City stymied by some mundane writing.
Miller presents an anthology of short stories set in New York City, the land of both great possibility and loneliness.
This volume collects nearly two dozen short stories thematically connected by the setting of their action: a gritty New York City, not yet made into the Epcot-Center version of itself that debuted during the Giuliani years. The metropolis figures so prominently in some of the stories it almost counts as a second protagonist; in “Hanging On,” Rissa Kabelensky, a “poor, middle-aged, and incredibly ugly” woman, despairs of her lonesomeness, especially when her lover, Paul, abandons her. A sensitive poet, she considers suicide to finally end her torment, but is stayed by the greatness of New York City, and all its glimmering attractions—the city and its allure all but save her life. Unfortunately, the same story furnishes an example of the author’s flat, even insipid prose. Here Rissa considers her last conversation with Paul, and the prospect of killing herself: “Oh, Ramirez might feel hurt at her suicide, like her friends. But they’d all get along without her. After a while, except for an occasional remark, she’d be forgotten. There was no use trying to find excuses. By forty, there weren’t any more. Better to get it over with!” The emotional range of the stories is impressively broad, but the pain of singlehood, and the power of art to provide a balm for it, are recurring leitmotifs. In “A Tailor’s Heart,” Jenny tries desperately to reconnect with her estranged grandfather, Abe, but he can barely muster a minute of free time from his ceaseless labor, which he uses to distract himself from the pain of solitude. To better understand the family with which she maintains little connection, Jenny composes short stories that nostalgically recall the better times, a tender expression of heartache deftly portrayed by the author.
For the most part, Miller adopts a fairly traditional structure for her stories, but there is some narrative experimentation as well: In “Traveler,” Steve Wilson, a divorcee, quits his “prestigious managerial job” and fantasizes in a local pub about being anything but himself. “An old man has bought me at the liquor store. What? Can I really bet a bottle of wine? Is that how I end up? Ironic, perhaps, but morbid.” This is one of the collection’s strongest stories, conveyed with impressive originality and comedic playfulness. That light, humorous touch mixes deftly with aching sadness in “The Dreamer,” as well; Mickey is the dreamer in question, an exasperatingly idealistic man incapable of navigating the world of practical affairs, always lost in hazy reverie. After losing everything of value due to his impracticality, he imagines how wonderful it would be to live the life of a pigeon, unburdened by the cares of man, able to fly above it all and glide through the spectacular vistas of New York. However, the author’s prose is more often than not a barrier to an enjoyment of her stories.
A collection of stories that vividly depict New York City stymied by some mundane writing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Manuscript
Review Posted Online: Sept. 29, 2023
Review Program: Kirkus Indie
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BOOK REVIEW
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
BOOK REVIEW
by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
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