Great entertainment for fans of historical epics.

WAR OF THE WOLF

This 11th entry in Cornwell’s Saxon Tales series (The Flame Bearer, 2016, etc.) is a rousing, bloodthirsty tale of tumult in early-days Britain.

Uhtred, the powerful 10th-century Lord of Bebbanburg, sets out with less than a hundred men to relieve the siege of Ceaster and rescue Prince Æthelstan, King Edward’s son. But someone has tricked Uhtred, who has been lured across Britain “to rescue a man who did not need rescuing.” Someone has drawn him away from defense of his native Northumbria, and he determines to “discover the name of an enemy.” Around the year 920, Britain is still a jumble of small kingdoms. Edward is the self-appointed Anglorum Saxonum Rex, the first king of the Angles and the Saxons. He wants to annex Northumbria, but Uhtred will not swear loyalty to him. For one thing, Uhtred’s son-in-law Sigtryggr is already king there. Meanwhile, Christianity is beginning to spread, but the 60-something pagan Uhtred wants none of that—his gods can walk on water too, if they want to. Although the plot is complicated, it boils down to this: Uhtred wants to kill the Norseman who wants to kill him and conquer Northumbria. The story has marvelous details, such as the fierce warrior Svart who has a beard with bones woven into it. Swords have names like Serpent-Breath, Soul-Stealer, and Wasp-Sting. And be they Saxon, Angle, Dane, or Norse, everyone is enamored of wolves, especially the “wolf-warriors” who use henbane ointment to make them crazy before battle. Uhtred observes that King Edward is caught in “a tangle of love, loyalties and hate, mostly hate….The only thing that was simple was war.” And war there certainly is. Serpent-Breath and his many murderous cousins inflict bloody butchery in spectacular hand-to-hand combat. A Christian man laments that “my god weeps for Englaland…my god wants peace.” Alas, that god gets no satisfaction in this grand adventure.

Great entertainment for fans of historical epics.

Pub Date: Oct. 2, 2018

ISBN: 978-0-06-256317-0

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 21, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Reader Votes

  • Readers Vote
  • 11

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Reader Votes

  • Readers Vote
  • 14

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

  • Pulitzer Prize Winner

  • National Book Award Finalist

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

more