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WAR OF THE WOLF

Great entertainment for fans of historical epics.

This 11th entry in Cornwell’s Saxon Tales series (The Flame Bearer, 2016, etc.) is a rousing, bloodthirsty tale of tumult in early-days Britain.

Uhtred, the powerful 10th-century Lord of Bebbanburg, sets out with less than a hundred men to relieve the siege of Ceaster and rescue Prince Æthelstan, King Edward’s son. But someone has tricked Uhtred, who has been lured across Britain “to rescue a man who did not need rescuing.” Someone has drawn him away from defense of his native Northumbria, and he determines to “discover the name of an enemy.” Around the year 920, Britain is still a jumble of small kingdoms. Edward is the self-appointed Anglorum Saxonum Rex, the first king of the Angles and the Saxons. He wants to annex Northumbria, but Uhtred will not swear loyalty to him. For one thing, Uhtred’s son-in-law Sigtryggr is already king there. Meanwhile, Christianity is beginning to spread, but the 60-something pagan Uhtred wants none of that—his gods can walk on water too, if they want to. Although the plot is complicated, it boils down to this: Uhtred wants to kill the Norseman who wants to kill him and conquer Northumbria. The story has marvelous details, such as the fierce warrior Svart who has a beard with bones woven into it. Swords have names like Serpent-Breath, Soul-Stealer, and Wasp-Sting. And be they Saxon, Angle, Dane, or Norse, everyone is enamored of wolves, especially the “wolf-warriors” who use henbane ointment to make them crazy before battle. Uhtred observes that King Edward is caught in “a tangle of love, loyalties and hate, mostly hate….The only thing that was simple was war.” And war there certainly is. Serpent-Breath and his many murderous cousins inflict bloody butchery in spectacular hand-to-hand combat. A Christian man laments that “my god weeps for Englaland…my god wants peace.” Alas, that god gets no satisfaction in this grand adventure.

Great entertainment for fans of historical epics.

Pub Date: Oct. 2, 2018

ISBN: 978-0-06-256317-0

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 20, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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