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A Man Walks Into a Hardware Store

An unassuming yet potent novel about the power and possibilities of personal transformation after traumatic events.

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A careful, reclusive family man becomes unhinged after a chance meeting with an aggressive seductress.

This fiction debut by a Southern California screenwriter offers interpersonal melodrama and complicated relationships. The story follows Terry Boyle, a conservative married man who repeatedly encounters curvaceous, aggressive, fearless Renee Patrick, owner of the local Hardware California supply store. Renee’s reputation as Porterville’s resident floozy and remorseless, brazen homewrecker has been well-established throughout the years: she’s a woman who doesn’t particularly enjoy the company of men outside of the bedroom and doesn’t believe in marriage because “she’d never seen one work.” Terry’s life at home with a depressed, unstable wife and 7-year-old daughter has become laborious, so making excuses to see Renee seems to breathe new life into his stagnant world. Though she’s depicted as an angry, insatiable man-eater, Renee soon emerges as a multifaceted character. She’s a horse owner who spends time in a barn compassionately tending to her stallion. And she eventually begins to come to terms with her present situation, her future, her critical mother, and a childhood spent with a sexually abusive father. All of these issues surface at a church service after the death of her mother when Renee admits to a desperate need to rehabilitate her image. Meanwhile, Terry’s paranoia about his job stability becomes a reality when he is let go from an insurance company. Aside from visiting his therapist, he embarks on a much-needed period of self-reflection. Midway through, Terry’s and Renee’s personal catharses overshadow the mounting sexual tension between them. This narrative element elevates the story from a raunchy seduction yarn to a deeper, more introspective work of fiction, despite an awkward revelation about Terry’s family that he has yet to emotionally process. Van De Yacht’s talents as a storyteller are solid and impressive. Well-structured, the appealing book delivers polished writing and multidimensional characters (Renee says of Terry: “His face had a haunted look. It was eerily reminiscent of the lost potential and unforgiving harshness of a mug shot, yet there was residual evidence suggesting he hadn’t always looked this way”). The novel’s conclusion, flush with the kind of redemptive overtones found in Christian fiction, should satisfy readers, as both Renee and Terry seem ready for renewal, forgiveness, and the blessings of a fresh start.

An unassuming yet potent novel about the power and possibilities of personal transformation after traumatic events.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Sept. 12, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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