A MOMENT IN TIME

Romantic twaddle that Small easily spins, with fantasy amid an airy narrative with the expected yodel of hyperventilating sex. Set in 1060 Wales, this details the adventures of a Welsh lass of high degree who will suffer various physical humiliations and have two husbands, one of whom changes shape when occasion demands. Quite beautiful Wynne has refused offers of marriage in order to remain at her castle to manage things for its heir, her young brother. But she narrowly evades marriage with one lord when another arrives—Madoc of Powys, who, she discovers, has been a companion all along, in the body of raven chum Old Dhr. Madoc sheds wings, and they marry; but when Wynne is pregnant, the dodo decides to visit her evil brother-in-law Brys to patch up the brothers' quarrel. Promptly popped into slavery, Wynne finds herself the property of a Saxon lord, Eadwine Aethehard. Madoc's son is born, and then, while Wynne discovers she loves the Saxon, she bears him a daughter. But Eadwine dies, and another nasty sends Wynne on the S&M road again. She and Madoc will reunite but...well, this time winging it just won't work. In between Wynne's trials, there's a prophetic drama involving the fairy Fair Folk, and, in the epilogue, dated 1805, the fate of two more lovers is sealed. More popular diddly-squat, quite popular, from Small (Lost Love Found, 1989, etc.).

Pub Date: Sept. 1, 1991

ISBN: 0-345-36863-0

Page Count: 512

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1991

Did you like this book?

No Comments Yet

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

ONE DAY IN DECEMBER

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 31, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Did you like this book?

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

Did you like this book?

more