by Bess Kalb ‧ RELEASE DATE: March 17, 2020
An endearing, bittersweet, and entertainingly fresh take on the family memoir.
A Jewish “matrilineal love story” uniquely narrated by a voice from beyond the grave.
TV writer Kalb employs an unconventional yet highly effective and charming narrative device, channeling the voice and personality of her now-deceased grandmother Bobby Bell. Outspoken and persnickety, Bobby snares readers’ attention right from her first comments about how “degrading” and boring being dead actually is and how “the worst part was the dirt.” Drawn from both a generous selection of family images and a text very much grounded in the family’s Jewish heritage, the narrative skillfully captures Bobby’s wit, worldly advice, well-intentioned meddling, and enduring love for her granddaughter. Bobby describes her mother as an “enormous Russian immigrant in a falling-down house” who arrived in Brooklyn speaking no English. Bobby also comments on her near-fatal bout with meningitis, her marriage to the author’s grandfather, and her lifelong friendship with Estelle, her sorority sister and fellow Jewish Brooklynite. Kalb sharply reimagines her grandmother’s inner thoughts and feelings as she regales readers with anecdotes about her life and remembers her biting yet fiercely nurturing criticism of the author’s choices in men (“is he Jewish?”), her appearance (“you’d be gorgeous if you went a little blonder”), and her relocation to the West Coast (“no serious person moves to San Francisco”). The true heart and soul of their relationship is reflected in the frequent phone exchanges between grandmother and granddaughter, most of which are hysterical. Readers familiar with the Bobby in their own families will appreciate how well Kalb embodies the classic stereotypes of stoic overprotectiveness and frequent exasperation that come with being a parent and grandparent. As the book progresses, the story becomes both sad and poignant as age and illness catch up to Bobby, and though she pokes fun at her situation, the photos and the imagined conversations make for sometimes-heartbreaking reading. Through interviews with her mother and grandfather, voicemails, and nostalgic memorabilia, Kalb commemorates her beloved grandmother, honoring her legacy and inimitable character.
An endearing, bittersweet, and entertainingly fresh take on the family memoir.Pub Date: March 17, 2020
ISBN: 978-0-525-65471-1
Page Count: 240
Publisher: Knopf
Review Posted Online: Dec. 2, 2019
Kirkus Reviews Issue: Jan. 1, 2020
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by Bess Kalb ; illustrated by Erin Kraan
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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