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LIZZIE DEMANDS A SEAT!

ELIZABETH JENNINGS FIGHTS FOR STREETCAR RIGHTS

Necessary.

Just over 100 years before Rosa Parks refused to give up her seat, Elizabeth Jennings refused to dismount from a New York City streetcar.

In 1854, New York was a so-called free state, and Lizzie Jennings was a freeborn, well-to-do African American woman. Accustomed to being permitted in the better-appointed streetcars reserved for white passengers, Lizzie is first taken aback and then angered when the white conductor tells her she must wait for one emblazoned “Colored People Allowed in This Car.” Her refusal to leave leads to a contretemps with the law—and a white witness, whose expression of support bolsters her enough to file an eventual, successful, groundbreaking lawsuit. Anderson’s third-person text allows readers under Lizzie’s skin as her indignation at injustice mounts. Children will readily recognize both the conductor’s capricious cruelty and Lizzie’s anger that “being born a ‘free black’ in a ‘free state’ ” does not mean being “treated as equal.” Lewis’ dappled watercolors depict the action and extend it. A picture of an angry Lizzie thrown to the cobbles, bonnet askew, is shocking; another, of the faces of five white, male jurors floating forbiddingly against a vivid, dark-blue background, underscores the injustice of the legal system. A two-page author’s note fleshes out the history, including mentions of Claudette Colvin and Rosa Parks.

Necessary. (bibliography, further reading) (Informational picture book. 5-8)

Pub Date: Jan. 7, 2020

ISBN: 978-1-62979-939-1

Page Count: 32

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: Nov. 9, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A WORLD TOGETHER

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants.

Large color photographs (occasionally composed of montages) and accessible, simple text highlight global similarities and differences, always focusing on our universal connections.

While child readers may not recognize Manzano, the Puerto Rican actress who played Maria on Sesame Street, adults will recognize her as a trusted diverse voice. In her endnote, she explains her desire to “encourage lively conversations about shared experiences.” Starting out with the familiar, home and community, the text begins with “How many WONDERFUL PEOPLE do you know?” Then it moves out to the world: “Did you know there are about 8 BILLION PEOPLE on the planet?” The photo essay features the usual concrete similarities and differences found in many books of this type, such as housing (a Mongolian yurt opposite a Hong Kong apartment building overlooking a basketball court), food (dumplings, pizza, cotton candy, a churro, etc.), and school. Manzano also makes sure to point out likenesses in emotions, as shown in a montage of photos from countries including China, Spain, Kashmir (Pakistan/India), and the United States. At the end, a world map and thumbnail images show the locations of all photos, revealing a preponderance of examples from the U.S. and a slight underrepresentation for Africa and South America.

Engaging, well-chosen images and a clear, coherent text illuminate the importance of empathy for the world’s inhabitants. (Informational picture book. 5-8)

Pub Date: Sept. 15, 2020

ISBN: 978-1-4263-3738-3

Page Count: 32

Publisher: National Geographic Kids

Review Posted Online: May 2, 2020

Kirkus Reviews Issue: May 15, 2020

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SUPERHEROES ARE EVERYWHERE

Self-serving to be sure but also chock-full of worthy values and sentiments.

The junior senator from California introduces family and friends as everyday superheroes.

The endpapers are covered with cascades of, mostly, early childhood snapshots (“This is me contemplating the future”—caregivers of toddlers will recognize that abstracted look). In between, Harris introduces heroes in her life who have shaped her character: her mom and dad, whose superpowers were, respectively, to make her feel special and brave; an older neighbor known for her kindness; grandparents in India and Jamaica who “[stood] up for what’s right” (albeit in unspecified ways); other relatives and a teacher who opened her awareness to a wider world; and finally iconic figures such as Thurgood Marshall and Constance Baker Motley who “protected people by using the power of words and ideas” and whose examples inspired her to become a lawyer. “Heroes are…YOU!” she concludes, closing with a bulleted Hero Code and a timeline of her legal and political career that ends with her 2017 swearing-in as senator. In group scenes, some of the figures in the bright, simplistic digital illustrations have Asian features, some are in wheelchairs, nearly all are people of color. Almost all are smiling or grinning. Roe provides everyone identified as a role model with a cape and poses the author, who is seen at different ages wearing an identifying heart pin or decoration, next to each.

Self-serving to be sure but also chock-full of worthy values and sentiments. (Picture book/memoir. 5-8)

Pub Date: Jan. 8, 2019

ISBN: 978-1-984837-49-3

Page Count: 40

Publisher: Philomel

Review Posted Online: Jan. 7, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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