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POPPY'S COMBINE

Sensitive text is paired with uneven artwork in this picture book designed to help children cope with the loss of a grandparent.

Jake, a pre-school or kindergarten-aged tyke, loves visiting his grandfather, Poppy, on the farm. Farming is no longer a tradition in his family, and according to Jake’s mother, when Poppy is “gone,” the family farm will be, too. Jake doesn’t understand where Poppy might be going though his mother assures him that Poppy won’t be going anywhere for a long time. But the conversation is prophetic—that night, Jake’s mother receives the phone call that Poppy has died. As Jake’s mother explains, Jake imagines a heart attack as a violent conflict between a heart and weapons. He struggles to understand what it means that Poppy is dead, and his mother patiently attempts to offer words that will make sense. Jake watches the contrary behavior of the adults, who say that it is only Poppy’s body in the casket, but still speak to the burial plot to say farewell. Jake’s questions are true to a child’s perspective, and his mother’s answers are thoughtful; she offers him comfort without absolutes, always prefacing her explanations about what happens after death within the context of her beliefs and being unafraid to admit that she doesn’t have all the answers. The conclusion, where Jake and his mother imagine Poppy’s combine as a constellation, is touching. Meyerson, a reverend, handles the religious aspects lightly, while presenting them from a Christian perspective. Illustrator Searcy’s choice of style appears designed to appeal to young readers, but often the faces are unevenly depicted, making the images off-putting. However, her depictions of Jake’s imagined scenes, drawn in a childlike style rather than painted like the other images, are spot on, and her abstract backgrounds are lovely. The choice of a parchment style background behind the images and the use of a papyrus font are distracting, but ultimately blend into the story and images. Books that address grief are always in need, and Meyerson’s gentle words and child-centered perspective will provide comfort to young readers.  

 

Pub Date: Jan. 15, 2012

ISBN: 978-0615567754

Page Count: 34

Publisher: Beth Meyerson

Review Posted Online: Jan. 12, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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HOW TO MAKE AN APPLE PIE AND SEE THE WORLD

What if the market was closed when you wanted to bake a pie? You could embark for Europe, learn Italian en route, and pick up some semolina wheat in Italy, an egg in France, kurundu bark for cinnamon in Sri Lanka, and an entire cow in England (butter) before coming home via Jamaica (sugar) and Vermont (apples). The expertly designed illustrations in which a dark-haired lass journeys by various means to these interesting places to get her groceries are lovely and lively, and the narrative, too, travels at a spritely pace. The journey is neither quite logical enough to be truly informative nor quite bizarre enough to be satisfyingly silly, while the rich, sweet recipe that's appended will take some adult assistance. Still, fun. (Picture book. 4-8)

Pub Date: May 2, 1994

ISBN: 0-679-83705-1

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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