by Beth Kephart ‧ RELEASE DATE: Aug. 24, 2010
A young woman is lost in grief following the death of her twin sister in this tender, quiet work of historical fiction. Carried along by the character’s dreamily melancholy narrative style, readers will drift with Katherine amid the grandeur of Philadelphia’s 1876 Centennial Fair. At the novel’s opening, her grief has reached a breaking point. Employing an effective flash–back-and-forward technique, the author gradually reveals details about the girls’ relationship and the raw feeling of abandonment experienced by Katherine due to a clandestine affair Anna began in the months before her death. Eventually, the circumstances of her sister’s death are uncovered in an exquisitely crafted memory as lovely in its imagery as it is tragic. Ringing less true, however, is the modern feel of the dialogue, given the supposed era. For example, during an argument, Katherine calls her sister a narcissist—a term not yet coined in psychology at the time. While this may not jar all readers, teens with an eye toward historical detail will likely take notice. (Historical fiction. 12 & up)
Pub Date: Aug. 24, 2010
ISBN: 978-1-60684-080-1
Page Count: 192
Publisher: Egmont USA
Review Posted Online: June 28, 2010
Kirkus Reviews Issue: July 15, 2010
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by William Shakespeare ; adapted by Malini Roy ; illustrated by Naresh Kumar ‧ RELEASE DATE: Aug. 27, 2019
Something is rotten in the state of Denmark.
The timeless tale of the young and disaffected Danish prince who is pushed to avenge his father’s untimely murder at the hands of his brother unfolds with straightforward briskness. Shakespeare’s text has been liberally but judiciously cut, staying true to the thematic meaning while dispensing with longer speeches (with the notable exception of the renowned “to be or not to be” soliloquy) and intermediary dialogues. Some of the more obscure language has been modernized, with a glossary of terms provided at the end; despite these efforts, readers wholly unfamiliar with the story might struggle with independent interpretation. Where this adaptation mainly excels is in its art, especially as the play builds to its tensely wrought final act. Illustrator Kumar (World War Two, 2015, etc.) pairs richly detailed interiors and exteriors with painstakingly rendered characters, each easily distinguished from their fellows through costume, hairstyle, and bearing. Human figures are generally depicted in bust or three-quarter shots, making the larger panels of full figures all the more striking. Heavily scored lines of ink form shadows, lending the otherwise bright pages a gritty air. All characters are white.
A solid introduction for budding lovers of the Bard. (biography of Shakespeare, dramatis personae, glossary) (Graphic novel. 12-18)Pub Date: Aug. 27, 2019
ISBN: 978-93-81182-51-2
Page Count: 90
Publisher: Campfire
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Cassandra Clare ‧ RELEASE DATE: March 3, 2020
Clare’s (Ghosts of the Shadow Market, 2019, etc.) latest is set in the Shadowhunter world in the 20th century’s first decade (with frequent flashbacks to the previous one).
Teenage offspring of the Herondales, Carstairs, Fairchilds, and other angel-descended Nephilim continue their families’ demon-fighting ways amid a round of elegant London balls, soirees, salons, picnics, and romantic intrigues. James Herondale, 17-year-old son of Will and Tessa, finds himself and his “perfectly lethal dimple” hung up between two stunning new arrivals: Cordelia Carstairs, red-haired Persian/British wielder of a fabled magic sword, and Grace Blackthorn, an emotionally damaged but (literally, as the author unsubtly telegraphs) spellbinding friend from childhood. Meanwhile, a sudden outbreak of demonic attacks that leave more and more Shadowhunters felled by a mysterious slow poison plunges James and a cohort of allies into frantic searches for both a cause and an antidote. Ichor-splashed encounters with ravening boojums and even one of hell’s own princes ensue—all leading to final hints of a devastating scheme to destroy the Nephilim in which James himself is slated to play a central role. Characters have a range of skin tones, but ethnic diversity adds no texture to the portrayals; there is a lesbian cousin who wears traditionally male clothing and two young gay men (one tortured, the other less so).
Busy, busy, busy…with portents of doom. (Fantasy. 14-18)Pub Date: March 3, 2020
ISBN: 978-1-4814-3187-3
Page Count: 624
Publisher: McElderry
Review Posted Online: Jan. 23, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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