PAPER GIRL

A small-town success story returns to her Ohio home to take account of profound changes.

“It’s not as if Urbana had ever been utopia for me. I was among the poorest kids in my class, and I felt it.” Macy, the author of Dopesick and other bestsellers, made her way out of poverty in the 1980s through a college degree funded by grants that largely no longer exist. Her latest nonfiction narrative chronicles her return home to try to see what would happen to a kid like her today, coming face to face with “the unprecedented forces that were actively turning the community I loved into a poorer, sicker, angrier, and less educated place.” Her reporting goes deep and wide, including her family members, old friends and teachers, and many new acquaintances. Central among them is recent high school graduate Silas James, one of the teens she identifies as “a modern-day me,” though Silas is trans and has more abuse and trauma in his background than the author. Also memorable are an ex-boyfriend, once the most liberal person she knew, now a strident voice on an array of far-right talking points; on the other end of the spectrum is Brooke Perry, a deeply committed attendance officer whom she accompanies on harrowing rounds to try to get kids into school in a climate where education has lost its place as a tentpole of the American dream. The author does not shy away from tough personal stories, writing about a niece who was abused as a child by her stepfather. Macy goes into the toughest interviews with “trauma-informed advice,” reminding herself that connecting about shared interests and noncontroversial topics will keep these conversations going much longer—though sadly, it often doesn’t change the end result. Black-and-white photos of the interview subjects add an important dimension to the story.

By practicing the basic journalistic acts of listening and observing, Macy continues her noble work as a truth teller.