Readers will close this emotionally intelligent book with strong feelings—and will likely ask to hear it again and again.
When a new girl shows up at school with kickball skills rivaling Ella McKeen’s, Ella learns how to tolerate the challenge to her queendom.
Everyone knows that when Ella kicks the ball, you get out of the way. “Her kicks have never been caught.” Whether it’s the “zinger,” the “bouncer,” or the “bomb,” Ella’s kicks send everybody running. But one day, the new girl, Riya Patel, races toward the falling ball. When she actually catches it, everyone cheers—except for Ella, who doesn’t handle the disappointment very well. In fact, she dissolves into a crying, screaming fit right there on the field. Everyone stares. She thinks about this moment for the rest of the day. The next day, when they’re heading out for recess, Ella opens up to Riya, apologizing for her behavior and explaining her surprise. The two form a friendly rivalry that promises to continue beyond the book’s cliffhanger end. Ella’s physical and emotional feelings are well-described and utterly recognizable. Her tantrum makes readers stop in their tracks, and her turnaround is believable enough to satisfy. Clean, expressive illustrations use white space, perspective, and display type to enhance the experience. Ella, white-presenting with long ponytails, wears overalls, and dark-skinned South Asian Riya wears skirts and leggings.
Readers will close this emotionally intelligent book with strong feelings—and will likely ask to hear it again and again. (Picture book. 4-9)Pub Date: Sept. 3, 2019
ISBN: 978-1-5415-2897-0
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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