GROWING UP BETH

Beth holds her own in her large, tightknit family.

York offers a spare and simple episodic portrait of her childhood self, a lively girl growing up with five brothers. Of her hardworking mother, Beth observes, “She is tough. She don’t play.” Beth’s stepfather, Bob, who amusingly signals his agitation by hiking his trousers up high, is also stern but handy. Though money may be hard to come by, this family is resourceful—their bikes were built by Bob, using materials from the dump. And when Mama buys Beth a puffy white jacket, she’s ecstatic to finally have an item of clothing that isn’t a hand-me-down from an older brother. But as Mama reminds her, it cost as much as a month’s groceries, and when big sibling Sam damages it while playing with his bow and arrow, the pair conspire to fix it to avoid Mama’s wrath. Seemingly ordinary adventures are imbued with wonder and enthusiasm, whether Beth’s helping Sam with his paper route or suffering a painful sting after poking a wasp’s nest. References to boom boxes and banana-seat bikes suggest a ’70s or ’80s setting, and though neither Beth’s race nor ethnicity is explicitly mentioned (she and her family appear light-skinned in Newsome’s expressive grayscale art), hers is a diverse community, filled with no-nonsense but deeply loving parents and kids who get up to a healthy dose of mischief.

A humorous, warmhearted peek at a childhood defined not by material possessions but by joyful experiences.