Carefully crafted, haunting, and absorbing, this thrilling memoir echoes in the head and heart long after the final page.

THE BOOK OF ATLANTIS BLACK

THE SEARCH FOR A SISTER GONE MISSING

When a troubled young musician disappears, her sister searches for something more profound than answers.

In her debut memoir, poet and educator Bonner reflects not only on her sister Nancy’s (she renamed herself Atlantis Black) disappearance, but also on the shadows that have haunted her family. What begins with a resume of the sisters’ youth transforms into a psycho-thriller murder mystery with a charmingly unreliable narrator. The author lays the blame for her sister’s mental illness, the root of her demise, unambiguously on their father’s abuse, their mother’s manic depression, and the sexual entitlement of the boys at school. Wrought in unsentimental, candid prose, the depictions of their childhood showcase Bonner’s poetic sensibilities, as she displays powerful control over imagery, suspense, and irony. As the girls matured, the author achieved a high level of education, professional success, and some stable relationships. Meanwhile, Atlantis revealed only glimpses of her precarious existence to her sister. Shady characters, illegal activity, drug abuse, and financial desperation pepper their correspondence, which Bonner intersperses through the primary narrative. Atlantis’ voice, rich with suffering and paranoia and tender with love and vulnerability, lives on through this dramatic memoir. The author clearly tried to strike a delicate balance between helping without derailing her own life, being supportive without enabling, and living fully without abandoning a needy loved one. The secrets of Atlantis’ life eventually became a chasm in which Bonner began to lose her stable sense of reality. By the end, the lucky sister has begun to embody some of her female relatives’ instability, and she constantly questions herself. She believes, at least partially, the official story of Atlantis’ drug-related death in Tijuana, and while she does want to know what happened, she’d prefer to know why and how it could have gone differently.

Carefully crafted, haunting, and absorbing, this thrilling memoir echoes in the head and heart long after the final page.

Pub Date: Aug. 4, 2020

ISBN: 978-1-947793-77-4

Page Count: 280

Publisher: Tin House

Review Posted Online: April 22, 2020

Kirkus Reviews Issue: May 15, 2020

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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