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GOOD-BYE, CHICKEN LITTLE

Chicken is the name Jimmie Little gave himself because of the fears he developed the summer after his father was killed in a mine accident, but readers will find Jimmie is only sensible, as compared with his mother's beloved, less cautious brother Pete. For here it's not his father's but his uncle's death that is bothering Jimmie, Pete the clown having insisted on walking across a thinly iced-over fiver because of a bet in a bar. Jimmie is in the crowd watching when it happens, and though he runs to the water's edge shouting for Pete to come back, his mother's first reaction is to blame him for not making Pete stop. To make things worse, Jimmie's subsequent brooding ("Did I do enough?") offends his insensitive friend Conrad, and the two boys fight. When his mother suddenly recovers and decides to throw a family party—a sort of celebration of Pete—Jimmie is unable to join in the merriment until, drifting outside and viewing them through the picture window, he sees the fun-loving family as his mother does, unique individuals to cherish. It's a stance Byars has taken all along, cherishing the quirky traits that would be just as easy to scorn. Nevertheless, this crucial final revelation hasn't half the conviction, say, of Jimmie's earlier realization that he doesn't like Conrad. And Byars never really reconciles Pete's tragic childishness with such amusing family foibles as his mother's inept driving and her outspoken 92-year-old uncle's crotchets. Still, Jimmie's feelings throughout are represented in depth, and revealed in flashes of insight that hit the mark; and the story hums with the currents that flow between him and the others.

Pub Date: March 1, 1979

ISBN: 0064402916

Page Count: 112

Publisher: Harper & Row

Review Posted Online: April 18, 2012

Kirkus Reviews Issue: March 1, 1979

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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MAYBE

More gift book than storybook, this is a meaningful addition to nursery bookshelves

A young child explores the unlimited potential inherent in all humans.

“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.

More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)

Pub Date: Sept. 15, 2019

ISBN: 978-1-946873-75-0

Page Count: 40

Publisher: Compendium

Review Posted Online: May 21, 2019

Kirkus Reviews Issue: June 15, 2019

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