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THINGS I HAVE TO TELL YOU

POEMS AND WRITING BY TEENAGE GIRLS

These 45 pieces, most poetry but some prose, come from the hands and minds of girls across the country. They’re paired with black-and-white photos that, while not posed to match the poems, often resonate quite effectively. Sixteen-year-old Theresa Hassfeld’s “Escape” faces a picture of a girl with her hair floating behind her in a bathtub, like the drowned Ophelia; other images focus on body parts—sneaker-clad feet, breasts, hands. With the self-consciousness comes a brimming self-awareness: 15-year-old Idit Meltzer Agam’s incantation of “feminine” words; Jessie Childress in “New Honesty,” writing, “Like a plastic ball, / I toss between myself / and the various identities / I have been assigned.” Melissa Parker writes, with rue and pain, “I broke my own heart so many times,” in “Born at 15.” There is the occasional flash of amusement—15-year-old Danya Goodman writes in “Hallway between Lunch and English,” “we march together toward / the war we cannot name / but at least we are dressed for it.” Sure to find its audience and to inspire other girls—and boys—to write it down. (Poetry. 12 )

Pub Date: May 1, 2001

ISBN: 0-7636-0905-6

Page Count: 80

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2001

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TAKING ON THE PLASTICS CRISIS

From the Pocket Change Collective series

Brief yet inspirational, this story will galvanize youth to use their voices for change.

Teen environmental activist and founder of the nonprofit Hannah4Change, Testa shares her story and the science around plastic pollution in her fight to save our planet.

Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.

Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)

Pub Date: Oct. 13, 2020

ISBN: 978-0-593-22333-8

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: July 26, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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CONTINUUM

From the Pocket Change Collective series

Best enjoyed by preexisting fans of the author.

Deaf, trans artist Man meditates on his journey and identity in this brief memoir.

Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.

Best enjoyed by preexisting fans of the author. (Memoir. 12-18)

Pub Date: June 1, 2021

ISBN: 978-0-593-22348-2

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 24, 2021

Kirkus Reviews Issue: April 15, 2021

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