Brad, who lives with his widowed mother on Gramps's midwestern farm, does some significant maturing during the months he observes a pair of barn owls raise their young. Apparently made trusting by Brad's gifts of dead crickets, the owls accept his visits up the hayloft ladder to look at their nest, and later at the owlets. Meanwhile, Brad worries about Cole, Mom's new boyfriend: he enjoys Cole's music but deplores his reckless propensity to shoot at anything that moves (at one point, Cole actually shoots himself in the foot). Brad also makes friends with a girl in his class, gradually coming to accept her embarrassing tendency to talk openly of subjects like affection. The strengths here are the zippy dialogue, Brad's espousal of the owls' cause (he learns their real importance to the economy as pest controllers), and the sobering picture of thoughtless shooting, culminating in the death of the female owl. Unfortunately, weak characterization undermines the story. Cole, especially, except for his banjo and his gun, is an unknown; and since no adequate reason for Mom's (and Brad's) fondness for him is shown, their mixed response to his behavior is insufficiently motivated. Still, an easily read story with appealing b&w illustrations and some solid values. (Fiction. 8-12)
Pub Date: June 15, 1991
ISBN: 0-8234-0868-X
Page Count: 86
Publisher: Holiday House
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 15, 1991
Categories: CHILDREN'S GENERAL CHILDREN'S
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A magnificently creepy fantasy pits a bright, bored little girl against a soul-eating horror that inhabits the reality right next door.
Coraline’s parents are loving, but really too busy to play with her, so she amuses herself by exploring her family’s new flat. A drawing-room door that opens onto a brick wall becomes a natural magnet for the curious little girl, and she is only half-surprised when, one day, the door opens onto a hallway and Coraline finds herself in a skewed mirror of her own flat, complete with skewed, button-eyed versions of her own parents. This is Gaiman’s (American Gods, 2001, etc.) first novel for children, and the author of the Sandman graphic novels here shows a sure sense of a child’s fears—and the child’s ability to overcome those fears. “I will be brave,” thinks Coraline. “No, I am brave.” When Coraline realizes that her other mother has not only stolen her real parents but has also stolen the souls of other children before her, she resolves to free her parents and to find the lost souls by matching her wits against the not-mother. The narrative hews closely to a child’s-eye perspective: Coraline never really tries to understand what has happened or to fathom the nature of the other mother; she simply focuses on getting her parents back and thwarting the other mother for good. Her ability to accept and cope with the surreality of the other flat springs from the child’s ability to accept, without question, the eccentricity and arbitrariness of her own—and every child’s own—reality. As Coraline’s quest picks up its pace, the parallel world she finds herself trapped in grows ever more monstrous, generating some deliciously eerie descriptive writing.
Not for the faint-hearted—who are mostly adults anyway—but for stouthearted kids who love a brush with the sinister: Coraline is spot on. (Fiction. 9-12)Pub Date: July 1, 2002
ISBN: 0-380-97778-8
Page Count: 176
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: June 15, 2002
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A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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Nicholas is a bright boy who likes to make trouble at school, creatively.
When he decides to torment his fifth-grade English teacher, Mrs. Granger (who is just as smart as he is), by getting everyone in the class to replace the word "pen'' with "frindle,'' he unleashes a series of events that rapidly spins out of control. If there's any justice in the world, Clements (Temple Cat, 1995, etc.) may have something of a classic on his hands. By turns amusing and adroit, this first novel is also utterly satisfying. The chess-like sparring between the gifted Nicholas and his crafty teacher is enthralling, while Mrs. Granger is that rarest of the breed: a teacher the children fear and complain about for the school year, and love and respect forever after.
With comically realistic black-and-white illustrations by Selznick (The Robot King, 1995, etc.), this is a captivating tale—one to press upon children, and one they'll be passing among themselves. (Fiction. 8-12)Pub Date: Sept. 1, 1996
ISBN: 0-689-80669-8
Page Count: 105
Publisher: Simon & Schuster
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 1, 1996
Categories: CHILDREN'S GENERAL CHILDREN'S
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