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HEY THERE, OWLFACE

Brad, who lives with his widowed mother on Gramps's midwestern farm, does some significant maturing during the months he observes a pair of barn owls raise their young. Apparently made trusting by Brad's gifts of dead crickets, the owls accept his visits up the hayloft ladder to look at their nest, and later at the owlets. Meanwhile, Brad worries about Cole, Mom's new boyfriend: he enjoys Cole's music but deplores his reckless propensity to shoot at anything that moves (at one point, Cole actually shoots himself in the foot). Brad also makes friends with a girl in his class, gradually coming to accept her embarrassing tendency to talk openly of subjects like affection. The strengths here are the zippy dialogue, Brad's espousal of the owls' cause (he learns their real importance to the economy as pest controllers), and the sobering picture of thoughtless shooting, culminating in the death of the female owl. Unfortunately, weak characterization undermines the story. Cole, especially, except for his banjo and his gun, is an unknown; and since no adequate reason for Mom's (and Brad's) fondness for him is shown, their mixed response to his behavior is insufficiently motivated. Still, an easily read story with appealing b&w illustrations and some solid values. (Fiction. 8-12)

Pub Date: June 15, 1991

ISBN: 0-8234-0868-X

Page Count: 86

Publisher: Holiday House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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JAKE THE FAKE KEEPS IT REAL

From the Jake the Fake series , Vol. 1

A fast and funny alternative to the Wimpy Kid.

Black sixth-grader Jake Liston can only play one song on the piano. He can’t read music very well, and he can’t improvise. So how did Jake get accepted to the Music and Art Academy? He faked it.

Alongside an eclectic group of academy classmates, and with advice from his best friend, Jake tries to fit in at a school where things like garbage sculpting and writing art reviews of bird poop splatter are the norm. All is well until Jake discovers that the end-of-the-semester talent show is only two weeks away, and Jake is short one very important thing…talent. Or is he? It’s up to Jake to either find the talent that lies within or embarrass himself in front of the entire school. Light and humorous, with Knight’s illustrations adding to the fun, Jake’s story will likely appeal to many middle-grade readers, especially those who might otherwise be reluctant to pick up a book. While the artsy antics may be over-the-top at times, this is a story about something that most preteens can relate to: the struggle to find your authentic self. And in a world filled with books about wanting to fit in with the athletically gifted supercliques, this novel unabashedly celebrates the artsy crowd in all of its quirky, creative glory.

A fast and funny alternative to the Wimpy Kid. (Fiction. 8-12)

Pub Date: March 28, 2017

ISBN: 978-0-553-52351-5

Page Count: 144

Publisher: Crown

Review Posted Online: Dec. 5, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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