The everywoman superstar is deservedly but incompletely captured in this only partly satisfying biography. Using many sources, including the unpublished memoir of Dressler confidante Claire Dubrey, Toronto Globe reporter Lee presents a panoramic view of Dressler's life. Born Leila Koerber in Cobourg, Ontario, in 1868, Dressler was known at first not for her talent but for her large size and homely face: A neighbor remembered her as ``about the dowdiest looking creature that ever walked our streets.'' Rebellion against a tyrannical father led her to the stage at 14 and revealed a prodigious talent. Years of cross-country road shows, Broadway, and silent-film success followed, but the 1920s brought a career decline. But in the late '20s she lived one of the greatest Hollywood comeback stories, becoming the ``queen of homespun humor'' as a result of affecting performances in such films as Anna Christie, Min and Bill, and Tugboat Annie. By 1932 she had become one of the most popular performers in America. Though Lee details Dressler's career, she fails to convey the actress's powerful hold over the public and offers only a very limited critical appreciation of her distinct talents. Dressler the actress—an earthy, droll, deeply physcial presence—fails to come alive. Lee succeeds better in presenting Dressler's private life, which she views as one built largely on strong allegiances, both personal and political. The star fervently gave herself to causes like actors' rights, the sale of WW I bonds, and women's rights. Equal to her public passions was her need for human commitment, seen in her devotion to the charming, erratic (and married) Jim Dalton, and her control over longtime companion Claire Dubrey. (Lee handles speculation about Dressler's sexual inclinations with inference and concision.) Despite the author's good research and clear affection for Dressler, this lacks the historical and cinematic authority to establish it a standard. It leaves one wanting to know more. (36 b&w photos, not seen)
Pub Date: Aug. 1, 1997
ISBN: 0-8131-2036-5
Page Count: 320
Publisher: Univ. Press of Kentucky
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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