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THE ART OF RECEIVING AND GIVING

THE WHEEL OF CONSENT

A smartly written and revelatory reexamination of readers’ most intimate experiences.

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A guide offers a new, comprehensive evaluation of the concept and practice of consent.

In this sweeping reappraisal of the whole world of giving and receiving, of touching and being touched, Martin attempts to undercut and offset readers’ long-standing assumptions by posing a disarmingly simple question they should ask others: “How do you want me to touch you?” In the author’s extensive experience interviewing people as a sex educator, she often finds that this question causes confusion. “The most common thing that happened when people made this offer was that they forgot they could set limits or say no,” she writes. “They sometimes assumed that they had to do whatever their partner asked of them.” Martin draws her readers’ attention to their own poor training by society in this very question of regulating and experiencing touch and contact. She points to the fact that people are trained early in childhood to suppress their ownership of their physical actions: clean your plate (even if you’re not hungry); let grandma kiss you (even if you don’t want her to). She contends that most people extend this deficient training into their adult lives: “Not only do we go along with something, we often try to make ourselves like it more.” To break this momentum, she proposes not only the simple question “How do you want me to touch you?” but also its follow-up: “How do you want to touch me?” These principles are further elaborated throughout the book.

Martin, who founded the School of Consent in 2018, repeatedly makes it clear that the clarifying concepts she’s outlining will at first seem peculiar to her readers. They will challenge them, she asserts: “Long-held assumptions will crack open, and there will be insights that shake you up.” She elaborates on the four “quadrants” of giving and receiving touch—“the Serving Quadrant,” “the Taking,” “the Accepting,” and “the Allowing”—and their permutations (are you touching someone for your pleasure or theirs? Are you allowing yourself to be touched for your pleasure or theirs?). And she continuously reassures her readers that this fundamental realignment of old reflexes will be challenging: “It tends to feel odd, sometimes foreign, occasionally impossible, but when it clicks, there is often a feeling of relief and of recovering something you had lost.” She compensates for this strangeness with, among other things, a marvelously open and welcoming prose style, clearly breaking down her concepts in order to help her readers construct a new idea of what touching is—and, by extension, sex and all issues of consent. She stresses that the instructions she’s explaining are in fact extremely simple—the hardest part for many of her clients is merely taking them seriously enough to practice them. Admittedly, many readers will need this encouragement; despite the clarity of the author’s prose, her explanations can often feel jarringly alien. Surely, some readers will think, there are aspects of interpersonal touching that are basically instinctual; surely, it can seem oddly artificial to dissect every aspect of touching so analytically. The implicit response of Martin’s valuable book, written with Dalzen, is simple: Readers can—and must—do more than just follow their instincts.

A smartly written and revelatory reexamination of readers’ most intimate experiences.

Pub Date: Feb. 17, 2021

ISBN: 978-1-64-388308-3

Page Count: 422

Publisher: Luminare Press

Review Posted Online: May 14, 2021

Kirkus Reviews Issue: June 15, 2021

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THE ART OF SOLITUDE

A very welcome instance of philosophy that can help readers live a good life.

A teacher and scholar of Buddhism offers a formally varied account of the available rewards of solitude.

“As Mother Ayahuasca takes me in her arms, I realize that last night I vomited up my attachment to Buddhism. In passing out, I died. In coming to, I was, so to speak, reborn. I no longer have to fight these battles, I repeat to myself. I am no longer a combatant in the dharma wars. It feels as if the course of my life has shifted onto another vector, like a train shunted off its familiar track onto a new trajectory.” Readers of Batchelor’s previous books (Secular Buddhism: Imagining the Dharma in an Uncertain World, 2017, etc.) will recognize in this passage the culmination of his decadeslong shift away from the religious commitments of Buddhism toward an ecumenical and homegrown philosophy of life. Writing in a variety of modes—memoir, history, collage, essay, biography, and meditation instruction—the author doesn’t argue for his approach to solitude as much as offer it for contemplation. Essentially, Batchelor implies that if you read what Buddha said here and what Montaigne said there, and if you consider something the author has noticed, and if you reflect on your own experience, you have the possibility to improve the quality of your life. For introspective readers, it’s easy to hear in this approach a direct response to Pascal’s claim that “all of humanity's problems stem from man's inability to sit quietly in a room alone.” Batchelor wants to relieve us of this inability by offering his example of how to do just that. “Solitude is an art. Mental training is needed to refine and stabilize it,” he writes. “When you practice solitude, you dedicate yourself to the care of the soul.” Whatever a soul is, the author goes a long way toward soothing it.

A very welcome instance of philosophy that can help readers live a good life.

Pub Date: Feb. 18, 2020

ISBN: 978-0-300-25093-0

Page Count: 200

Publisher: Yale Univ.

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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