MAKING IT HOME

REAL LIFE STORIES FROM CHILDREN FORCED TO FLEE

Workers from the International Rescue Committee retell the stories of 18 of the millions of children who, because of war, have fled their homes and are now living in camps in other parts of their own countries, in neighboring countries in Africa, Asia and the Middle East, or in new homes in the UK and the United States. Most are 10-15 years old. Some emigrated with parents and siblings; others have been separated from their families. Nearly all recall a larger house and childhood games, but many remember scenes of horrifying violence that accompanied their leaving home. Contrary to the suggestion of the title, many of these young people do not consider their current residence permanent; they look forward to returning to a homeland free of violence. However, their stories demonstrate their resilience, their enjoyment of new friends, their willingness to work at school and to dream. Maps and brief histories of each country’s war are included. A section of black-and-white photographs enlivens an otherwise bland and somewhat formulaic text. It is hard to imagine a wide readership for this well-meant collection but, as Naidoo reminds in an introduction, these children challenge us not to look away. (Nonfiction. 11-15)

Pub Date: Sept. 1, 2005

ISBN: 0-8037-3083-7

Page Count: 144

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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BYSTANDER

Bullying is a topic that never lacks for interest, and here Preller concentrates on the kids who try to ignore or accommodate a bully to keep themselves safe. Victim David’s pain is evident from the first moment newcomer Eric sees him, but he tries not to acknowledge the reality before him. His mother is trying for a fresh start in this Long Island community, as his father has succumbed to schizophrenia and left her and their two boys on their own. Griffin, the bullying instigator, has charisma of sorts; he is a leader and yet suffers under his father’s bullying and aggression. For Eric to do the right thing is neither easy nor what he first wants to do, and the way he finds support among his classmates is shown in logical and believable small steps. Eminently discussable as a middle-school read-aloud, the narrative offers minimal subplots to detract from the theme. The role of girls is downplayed, except for classmate Mary, who is essential to the resolution, enhancing appeal across gender lines. (Fiction. 11-14)

Pub Date: Oct. 1, 2009

ISBN: 978-0-312-37906-3

Page Count: 240

Publisher: Feiwel & Friends

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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THE TIGER RISING

Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)

Pub Date: March 1, 2001

ISBN: 0-7636-0911-0

Page Count: 128

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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