The ongoing feuds here often seem like overwrought plot contrivances, a problem aggravated by this newcomer’s fossilizing...
Ambitious historical novel of New York City’s medical practices from the 1630s to the 1780s, a first novel freighted with so much fact and family melodrama it almost sinks under its own weight.
Swerling’s narrative tracks two families, the Turners and the Devreys, through six generations of medical practice, economic success and failure, and bitter internecine feuds, treacheries, and reconciliations. This 150-year scope creates complexities that can be followed only by using a family tree, and luckily Swerling provides one. Still, there are so many characters that none gets developed fully, making it easy for the reader to lose track. The Turners are (mostly) surgeons and the Devreys are (mostly) physicians, though several women in both families are apothecaries. At the time, these were competing rather than complementary medical disciplines. The surgeons and apothecaries are clearly favored as Swerling takes us on a fascinating journey through the bold early conflicts between herbal healing and surgery and the mainstream practices taught in the medical schools of the day. The physicians, though more prestigious and “educated,” offer their patients little beyond bleeding and purging, while the surgeons provide dramatic scenes of early operations for breast cancer and bladder stones, along with tracheotomies and limb removals. Unlike the physicians, the surgeons experiment with blood transfusions, use laudanum to dull pain, and favor inoculations. Indian attacks, slave revolts, wars, plagues of smallpox and yellow fever, and the brutal everyday life of the city itself—rapes, castrations, venereal diseases, public whippings and burnings—supply carnage aplenty for members of each generation to practice their skills on and argue about.
The ongoing feuds here often seem like overwrought plot contrivances, a problem aggravated by this newcomer’s fossilizing tendency to pack her dialogue with exposition. But early medicine and city history undeniably make for an interesting read.Pub Date: Oct. 1, 2001
ISBN: 0-684-87172-6
Page Count: 592
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2001
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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