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TIME'S A THIEF

When all is said and done, one’s love/hate relationship with this book leans to the side of love.

In 1980s New York, a naïve young intellectual is entranced, employed, exasperated, and expelled by members of a wealthy family.

Firmani’s debut tells the story of Francesca “Chess” Varani from her first year at Barnard until “the day when youth finally died” two decades later, when she learns what became of a wealthy college friend named Kendra Marr-Löwenstein, whose writer mother she worked for as a personal assistant, whose musician brother she fell in love with, whose whole exotic, damaged family bewitched her then betrayed her utterly. Like last year’s Sweetbitter by Stephanie Danler, it is the coming-of-age of a young woman under the influence of unwholesome Manhattan sophisticates; like the previous year’s City on Fire by Garth Risk Hallberg, it is a nostalgic paean to the city’s recent past, studded with continual highbrow references. One character’s personality is summed up by the fact that she reads Jürgen Habermas in the original German, another leaves a conversation about Ivan Chtcheglov’s Formulary for a New Urbanism to puke in an umbrella stand, and everything Chess sets eyes on recalls one artist or another. Despite her generous hand with her encyclopedic knowledge of everything, Chess is an engaging character, often very funny and cool. From working-class Italian origins in a burg she calls Barfonia, she details her enchantment by the Marr-Löwensteins from the night she meets Kendra standing in the street at 4 a.m. with blue hair, a clutch purse sagging with dexies, and the air of “deposed royalty.” She asks Chess for a light. “Of course I had a light. I was born with a Zippo in my hand,” Chess tells the reader. The Marr-Löwensteins, Salinger-esque in some ways (the one Chess falls for is named Jerry), are the novel’s biggest problem. Unremittingly described in the most extreme, overheated terms, not one of them ever seems like a real person, and they don’t act like real people either, disappearing without a trace for years at a time, reappearing in places they can’t possibly know Chess will be, both more awful and more magical than they need to be to engage our emotions.

When all is said and done, one’s love/hate relationship with this book leans to the side of love.

Pub Date: May 2, 2017

ISBN: 978-0-385-54186-2

Page Count: 320

Publisher: Doubleday

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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