An attempt to map how the unbearable is borne, elegantly written and bravely imagined.

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DID YOU EVER HAVE A FAMILY

Hours before a wedding, a fire kills the bride, the groom, her father, and her mother's boyfriend.

"When something like what happened at June Reid's that morning happens, you feel right away like the smallest, weakest person in the world. That nothing you do could possibly matter. That nothing matters. Which is why, when you stumble upon something you can do, you do it. So that's what I did." This is the florist speaking: she will put the daisies she picked for the wedding into more than a hundred funeral arrangements. Other characters, particularly the parents of the dead, will have a harder time figuring out what comes next. June—who has lost not just everyone she loves, but her house, her clothes, and her passport as well—gets in a car and drives to the West Coast. Lydia Morey, whose handsome son, Luke, was June's much-younger boyfriend, is stuck in town dealing with small-minded gossip and speculation. Silas, a teenage pothead who was working at the house the day before the accident, slowly unpacks what he knows about the cause of the fatal blast. Literary agent and memoirist Clegg's (Ninety Days, 2013, etc.) debut novel moves restlessly among many different characters and locations, from the small town in Connecticut where the fire occurred to the motel in the Pacific Northwest where June lands, darting into the past then returning to the tragedy in its utter implacability. Yet the true subject of the book is consolation, the scraps of comfort people manage to find and share with one another, from a thermos of pea soup to a missing piece of information to the sound of the waves outside the Moonstone Motel. 

An attempt to map how the unbearable is borne, elegantly written and bravely imagined.

Pub Date: Sept. 8, 2015

ISBN: 978-1-4767-9817-2

Page Count: 304

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

REGRETTING YOU

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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