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CHARLIE BUMPERS VS. THE END OF THE YEAR

From the Charlie Bumpers series , Vol. 7

The series ends with the feeling of a completed arc for this fourth-grade year. Fans will feel satisfied but will find...

As the end of the school year fast approaches, Charlie learns that his friend Hector will be moving back to Chile. Can Charlie cook up a scheme to keep Hector at school?

In this seventh and final book of the Charlie Bumpers series, Grammy-winner Harley reveals the conflict that bullying creates in the mind of a fourth-grader. Narrated in a balance of warmhearted insight and wacky naiveté, Charlie’s life will resonate with readers trying to navigate the simple but realistic perils of elementary school. Making friends, getting along with siblings, avoiding trouble at school—these situations matter to young readers, and Harley captures these emotions with a light and humorous touch. The Jerzollies of Darkness (three boys who are all jerks, bozos, and bullies) have been seriously bullying Hector. When adult support disappoints, Charlie and friends take matters into their own hands with mixed results. This young, white male protagonist, in his suburban, middle-class setting, nonetheless taps into universal feelings, and Charlie’s genuine friendships with Hector and Tommy, who’s black, keep diversity on the table. Gustavson’s illustrations, rendered in India ink and watercolor, deftly cover friend and foe alike, giving shape to Charlie’s world.

The series ends with the feeling of a completed arc for this fourth-grade year. Fans will feel satisfied but will find themselves hoping another year’s in the offing. (Fiction. 7-10)

Pub Date: April 1, 2019

ISBN: 978-1-68263-042-6

Page Count: 208

Publisher: Peachtree

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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