A fresh addition to the menu of queer teenage love stories.
Two Arizona teens run a food truck and fall in love with more than just cooking together.
“Dude Bro” Max is a “closet foodie” and keeps his culinary aspirations secret from “the Amigos,” his close-knit duo of friends. But a chance encounter at a classmate’s struggling food truck sees heroics-prone Max volunteering as an employee. Though the classmate, Jordan, is a jock-hating “emo kid,” the pair proves that opposites do indeed attract—even in the cramped confines of a food truck. As it turns out, the two also make excellent (if a bit unorthodox) business partners. They earn enough money to pay off debts from Jordan’s widowed mother’s gambling addiction. Alternating first-person narration delves deeply into the complicated inner lives of the two boys as their relationship blossoms. Flashbacks reveal Max’s trauma following a rape at a college party. Meanwhile, Jordan fights his feelings of inadequacy and his growing resentment toward his mother. As Max is biracial (Mexican/white) while Jordan is white, Konigsberg (Honestly Ben, 2017, etc.) effectively reverses the white savior narrative to instead position a character of color as the one offering help—although ultimately the narrative questions what it means to be a savior at all in the context of this mutually supportive and healing relationship. The result is a story with imperfect characters who are, refreshingly, called out on problematic behaviors and aim to do better.
A fresh addition to the menu of queer teenage love stories. (Fiction. 13-adult)Pub Date: Feb. 26, 2019
ISBN: 978-1-338-21550-2
Page Count: 352
Publisher: Levine/Scholastic
Review Posted Online: Oct. 22, 2018
Kirkus Reviews Issue: Nov. 15, 2018
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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