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LOOK AND SEE

A WHAT'S-NOT-THE-SAME-GAME

What’s “not-the-same” as any given I Spy title? Not much.

In a set of side-by-side scenes made with scads of small toys, buttons, stones, plastic letters or craft materials, Kontzias invites viewers to spot which items have been moved or removed.

The components in each pair of photographed scenes are thematically related, from dinosaurs in one to colored pencils, seashells, toy vehicles, or birds and blocks in others. Design fumbles make these tests of visual memory and counting skills even more challenging. “Answers” at the end are only partial, as they identify the changes in each pair of photographed tableaux but not their locations within them. Moreover, though each spread offers a hint (“0 things are new, 11 are gone, 0 moved”), along with the difficulty of keeping the tallies straight—there are 28 changes on one spread!—the terminology isn’t always consistent. A toy gorilla’s arm that goes from partially to fully visible is designated “New,” for instance, whereas seashells that are turned over count as “Moved.”

What’s “not-the-same” as any given I Spy title? Not much. (Picture book. 5-8)

Pub Date: April 15, 2014

ISBN: 978-0-8234-2860-1

Page Count: 32

Publisher: Holiday House

Review Posted Online: Jan. 14, 2014

Kirkus Reviews Issue: Feb. 1, 2014

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THE KEEPER OF WILD WORDS

Sweet—and savory.

When a girl visits her grandmother, a writer and “grand friend,” she is seeking something special to share at show and tell on the first day of school.

Before Brook can explain, Mimi expresses concern that certain words describing the natural world will disappear if someone doesn’t care for and use them. (An author’s note explains the author’s motivation: She had read of the removal of 100 words about outdoor phenomena from the Oxford Junior Dictionary.) The duo sets out to search for and experience the 19 words on Mimi’s list, from “acorn” and “buttercup” to “violet” and “willow.” Kloepper’s soft illustrations feature green and brown earth tones that frame the white, matte pages; bursts of red, purple, and other spot colors enliven the scenes. Both Mimi and Brook are depicted as white. The expedition is described in vivid language, organized as free verse in single sentences or short paragraphs. Key words are printed in color in a larger display type and capital letters. Sensory details allow the protagonist to hear, see, smell, taste, and hold the wild: “ ‘Quick! Make a wish!’ said Mimi, / holding out a DANDELION, / fairy dust sitting on a stem. / ‘Blow on it and the seeds will fly. / Your tiny wishes in the air.’ ” It’s a day of wonder, with a touch of danger and a solution to Brook’s quest. The last page forms an envelope for readers’ own vocabulary collections.

Sweet—and savory. (Picture book. 5-8)

Pub Date: March 10, 2020

ISBN: 978-1-4521-7073-2

Page Count: 62

Publisher: Chronicle Books

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

Awards & Accolades

Our Verdict

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  • New York Times Bestseller


  • Caldecott Honor Book

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THEY ALL SAW A CAT

A solo debut for Wenzel showcasing both technical chops and a philosophical bent.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • Caldecott Honor Book

Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?

The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.

A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4521-5013-0

Page Count: 44

Publisher: Chronicle Books

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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