A story of secrecy, suffering, fortitude, and compassion that demonstrates an exceptional understanding of the human psyche.
Mathis (Face Your Fears, 2018) offers a prequel novel that offers a striking account of life in 20th-century Chicago.
In 2009, Andres Rodriquez and his longtime romantic partner Josh Sawicki inherit a disused Chicago rooming house. They find, in the building’s ledgers, several diaries containing the history of the house’s inhabitants from its construction in 1887 to the present. Four of the entries belong to members of the Sawicki family. In the late 1800s, Josef Sawicki was a Polish immigrant on his own in America at the age of 17; his wife, Walentina, was a sex worker in a bathhouse with a secretive past. Together, they erected and maintained the multistory apartment building. Their son, Hank, and his wife, Mae, then took over and raised 10 children together. Two other entries belong to the Sawickis’ unofficial family—a young woman named Katerina Koslowski, who came to the boardinghouse as a pregnant teenager, and Manny Rodriguez, a gay Mexican man with a disabled arm. Also included are letters and comments from other family members, such as Katerina’s daughter, Krystina; Hank’s illegitimate son, Arnaud; and Hank’s youngest, most troubled child, Tommy. Together, the diaries comprise an extensive family history that ably captures the changing culture of the United States over the course of the 20th century, including events such as women’s suffrage, both world wars, the Great Depression, the Vietnam War, and the AIDS crisis. Particular attention is paid to the transformation of social attitudes toward minority groups. Over the course of the novel, Mathis doesn’t avoid disturbing elements, from visceral accounts of childbirth to characters casually delivering racial slurs to chilling descriptions of childhood sexual assault. The way that he portrays family dynamics is insightful and raw; the characters’ flaws and virtues are complex and make the cast compellingly realistic. The prose also has a wry touch of humor that offsets the turbulent and often tragic events. It’s a lengthy story but well worth the time and effort.
A story of secrecy, suffering, fortitude, and compassion that demonstrates an exceptional understanding of the human psyche.Pub Date: Aug. 9, 2019
ISBN: 978-1-62420-421-0
Page Count: -
Publisher: Rogue Phoenix Press, LLP
Review Posted Online: May 17, 2019
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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