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I LIVE FOR THIS!

BASEBALL’S LAST TRUE BELIEVER

For die-hard Lasorda or Dodgers fans only.

A lightweight biography of former Los Angeles Dodgers manager Tommy Lasorda, from Los Angeles Times columnist and ESPN contributor Plaschke (Plaschke: Good Sports, Spoilsports, Foul Balls and Oddballs, 2002).

With the help of Lasorda, Plaschke chronicles the beloved Dodger’s life and career, from his humble beginnings as a poor child in Norristown, Penn., to his career as a left-handed pitcher, to the position which solidified his legacy—Hall of Fame manager of the Dodgers. Plaschke portrays Lasorda as a rotund, likable, noncerebral leader who loved his job, the Dodgers and food. The author goes to great lengths to explain that Lasorda was an incredibly inspirational speaker and witty storyteller. But Plaschke hamstrings this characterization with descriptions of the manager’s run-of-the-mill speeches—such as Lasorda “inspiring” a pitcher to throw strikes by telling him, in no uncertain terms, that he needed to throw strikes—and corny jokes. Although Lasorda managed some of the Dodgers’s greatest heroes—Fernando Valenzuela and Orel Hershiser, among many others—here he passes up a worthwhile opportunity by spending little time describing their great careers with the Dodgers, aside from taking what he thinks is due credit for their successes. Mike Piazza—one of the most beloved Dodgers of the past 20 years—merits little more than a mention, as Lasorda merely points out that he was the man responsible for identifying the talent that so many other scouts and managers ignored. Ultimately, the book suffers from Plaschke’s attempt to simultaneously portray Lasorda as both a player’s manager who would never say an unkind word about a member of the team, and a tough-as-nails field general who would never back down from anyone and who would, if necessary, use his fists to make his points. Still, there’s no denying that Lasorda decorated his trophy case with plenty of hardware, including two World Series titles and, after departing the Dodgers as manager and against long odds, a gold medal in baseball at the 2000 Olympics.

For die-hard Lasorda or Dodgers fans only.

Pub Date: Oct. 24, 2007

ISBN: 978-0-618-65387-4

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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