Nonthreatening, nonstop mayhem…next stop: Tinseltown! (Graphic adventure. 8-11)
Otto the peanut-allergic elephant cracks another case.
Still looking for his missing childhood friend, Georgie the chimp, and fresh from helping the big city cops bust a gang of hoodlums, Otto and his sidekick, Crackers the parrot, make their way across the country. This time, they're following circus Punkratz & Pinky, which, if the posters are to be believed, may be where Georgie ended up after being abducted by the man with the wooden nose. Leaving a trail of inadvertent destruction (thanks to Otto's explosive allergic sneezes), they catch up to the circus only to find it's a front for exotic-animal smugglers...and Georgie has moved on. Can the bumbling duo save their new animal friends? The slapstick and goofy situations (Otto dresses as a clown; is mistaken for a football mascot; drives a peanut-shaped car) in Slavin's second full-color graphic adventure will entertain even if several jokes are well above the reading level. It’s also a bit disturbing that animals wearing clothes and speaking are still treated like animals (and hunted for sport) by humans; but the old-timey feel should win fans and please those already established.
Nonthreatening, nonstop mayhem…next stop: Tinseltown! (Graphic adventure. 8-11)Pub Date: Aug. 1, 2013
ISBN: 978-1-55453-806-5
Page Count: 88
Publisher: Kids Can
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
The tweaks deliver no real alterations, but the clothing and hairstyles may amuse.
Three classic fairy tales given 20th- (and 30th-) century settings.
Originally published separately between 2001 and 2016, the stories are massaged in ways that tone down the violence of pre-Disney versions and show off the illustrator’s chops as a caricaturist. In “Cinderella” (2001), the scenes are filled with flamboyant art deco fashions and details; the fairy godmother creates a snazzy limo to take young Greta to the ball; and rosebud-lipped, pointy-nosed evil stepsisters Ermintrude and Elvira survive unmutilated. Similarly, in “Rapunzel” (2003), the title character escapes her mid-1970s flat to run off with (unblinded) pop musician Roger, and in “Sleeping Beauty” (2016), when 16-year-old science-fiction fan Annabel pricks her finger on the needle of a record player, she falls asleep for 1,000 years. The three female leads project airs of independence but really have no more agency here than in the originals. The all-White casts and conventional relationships of the first two stories do loosen a bit in “Sleeping Beauty,” as Annabel, who seems White, is watched over by an interracial pair of motherly aunts and awakened at long last (albeit with a touch, not a kiss) by Zoe, who has light-brown skin and long, black hair. Notes following each tale draw attention to the period details, and even the futuristic city at the end has a retro look. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at 70 % of actual size.)
The tweaks deliver no real alterations, but the clothing and hairstyles may amuse. (Fairy tales. 8-10)Pub Date: Oct. 6, 2020
ISBN: 978-1-84365-475-9
Page Count: 90
Publisher: Pavilion Children's
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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