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JAMES BALDWIN

LIVING IN FIRE

A fresh, incisive, and uplifting biography/social history.

A concise biography of the celebrated black author’s radical voice.

Mullen (American Studies/Purdue Univ.; W.E.B. Du Bois: Revolutionary Across the Color Line, 2016, etc.) believes the time is right for a new biography of Baldwin (1924-1987), one that focuses on his political life and development. He argues that Baldwin’s role in campaigns for social justice has been “underappreciated,” and his emergence as an “icon of the global Black Lives Matter movement” requires a new assessment of him as a popular-culture touchstone. Also, as a queer black man, he is now seen as a forerunner in today’s debates on gender and race issues. Mullen’s approach is chronological: He moves from Baldwin’s youth as the oldest of nine children in a poor Harlem family to his radical student years and development as a writer to his years abroad (Paris, Istanbul) and his return to America to become a tireless, politically astute spokesman for civil and sexual rights, including AIDS. As poet Amiri Baraka noted at his funeral, Baldwin served as “God’s revolutionary black mouth.” Paralleling Baldwin’s personal story, Mullen deftly recounts the historical backdrop—the Vietnam War and protests, the Young People’s Socialist League, the Communist Party in America, the Palestinian liberation movement, the Nation of Islam, Black Power, Malcolm X, and the FBI’s relentless and crushing surveillance of Baldwin and black radicals—to more clearly assess Baldwin’s substantial role in the political and literary worlds from the 1940s to the 1980s. Throughout, Mullen discusses Baldwin as an influential novelist, playwright, essayist, and critic, quoting generously from his works. Giovanni’s Room was an “avatar of contemporary gay literature.” In The Fire Next Time, “Baldwin’s combined role as mentor, historian, and advocate for struggle on the streets found its literary complement.” A “somber, simmering, angry novel,” If Beale Street Could Talk is his “most damning single fictional indictment of the criminal justice system.”

A fresh, incisive, and uplifting biography/social history.

Pub Date: Oct. 1, 2019

ISBN: 978-0-7453-3854-5

Page Count: 256

Publisher: Pluto Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


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  • Kirkus Prize
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  • IndieBound Bestseller


  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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