At once horrifying in its details and beautiful in its simple, elegant prose, this Holocaust survivor's narrative is a small masterpiece. Wilkomirski's memoir is the result of his efforts to recover, with the help of a psychiatrist, hitherto repressed memories of a childhood spent in concentration camps. The book begins with his earliest memories of family life in Poland, when he was a toddler. As the title suggests, the recollections he has managed to salvage truly are fragments, ranging from the vague (how many brothers did Binjamin have?) to the gruesomely specific (the brutal murder of Wilkomirski's father in his tiny son's presence). The very young boy (he is three, perhaps four years old) is led away by a woman who promises to take him to a place with the lilting name of Majdanek. It was, of course, a a concentration camp. There, with the aid of benevolent strangers, he learns how to endure, albeit at the cost of a shattered soul. At a Polish orphanage after the war, Wilkomirski, his family gone, is again led away by a woman—one who promises him a better life in beautiful Switzerland. Meanwhile, young Binjamin still partially yearns for the familiar world of the camps, the only world he knows. Wilkomirski's narrative style blends the child's viewpoint with the mature understanding of the adult, unsentimentally recreating situations with arresting poignancy. Thrust into the cozy, comfortable Swiss way of life, the author is haunted by fears of betrayal. Has he betrayed his mother by calling another woman ``mother''? Has he betrayed those who perished by living among the enemy, those ``who live in whole houses and who don't wear striped shirts''? Considering the high literary quality of this book, its admirers will no doubt lock horns with critics of the ``recovered memory syndrome.'' Wilkomirski's voice is brave and lyrical, and his memoir is a piercing window onto the past.
Pub Date: Sept. 19, 1996
ISBN: 0-8052-4139-6
Page Count: 160
Publisher: Schocken
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 1996
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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