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CYBERBULLYING CRASH COURSE

PROTECT YOUR KIDS FROM CYBERBULLIES, CYBER VIOLENCE, AND DIGITAL PEER PRESSURE

A wise and levelheaded look at cyberbullying and some possible remedies.

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A wide-ranging manual focuses on the world of cyberbullying.

When bullying happens to somebody in person, writes Beam at the outset of his compact nonfiction debut, it’s fairly obvious. A fight erupts between children in a schoolyard; the kids are separated and brought to the principal’s office; the matter is quickly sorted out; and the bully is cautioned or punished. But cyberbullying leaves no traces, the author points out, and it’s far from being merely a childhood problem. “Plenty of adults are cyberbullied through dating apps, chat rooms, social media threads, and the posting of unwanted content, like in photo extortion,” he writes. “This problem does not just stop at cyberbullying; it also extends to cyberhate, where people are targeted because of their religious belief, skin color, sexual orientation, or political views.” In other words, everyone lives every day in an environment fraught with many forms of cyberbullying, and Beam’s book provides a wide-angle overview of some of the most prevalent forms it can take in the modern age. These range from the rise of online sexual predators “catfishing” students and young people online to cyber-harassment designed to “target, embarrass, and silence the victim.” The author notes that new advances in technology make virtually every aspect of cyberbullying both easier and more pervasive: “The sky is the limit” for things like online impersonation. But even older forms of online activity can be enlisted for bullying, as when individuals make a website intended “to aggregate everything they want to share with the public, ensuring the target is completely embarrassed.”

In all such cases, Beam tends to favor straightforward, common-sense advice. When it comes to pirated photo manipulation, for instance, he advises that people never send “sensitive content” to anybody (even a trusted friend) that they wouldn’t want broadcast to the entire world—a sound rule for all aspects of online dealings. The book’s organizing message, aimed at parents and teachers, details all the clues that may point to children or teens being cyberbullied (excessively hiding their phones, indulging in sudden and unexplained bursts of anger, withdrawing from families—all signs that they’re concealing something that’s troubling and embarrassing them). Beam underscores the deadly urgency of such pressures by reminding his adult readers that cyberbullying can happen to anybody and that it can quickly create very dark feelings of rage and helplessness in its victims—feelings that can push even a seemingly self-confident young person to despair and perhaps thoughts of revenge or suicide. For all of this, Beam offers some simple correctives: privatize online accounts, set internet times and enforce them, bolster self-esteem in kids and teens by “encouraging their passions (even if they deviate from your idea of cool).” The author quite rightly emphasizes the crucial importance of teaching children empathy, and the advice given here will help greatly with that. Anyone who has ever dealt with cyberbullying will find useful insights in these pages.

A wise and levelheaded look at cyberbullying and some possible remedies.

Pub Date: Dec. 29, 2019

ISBN: 978-1-73426-732-7

Page Count: 74

Publisher: Beam Reach Ventures

Review Posted Online: April 6, 2020

Kirkus Reviews Issue: May 1, 2020

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GRIEF IS FOR PEOPLE

A marvelously tender memoir on suicide and loss.

An essayist and novelist turns her attention to the heartache of a friend’s suicide.

Crosley’s memoir is not only a joy to read, but also a respectful and philosophical work about a colleague’s recent suicide. “All burglaries are alike, but every burglary is uninsured in its own way,” she begins, in reference to the thief who stole the jewelry from her New York apartment in 2019. Among the stolen items was her grandmother’s “green dome cocktail ring with tiers of tourmaline (think kryptonite, think dish soap).” She wrote those words two months after the burglary and “one month since the violent death of my dearest friend.” That friend was Russell Perreault, referred to only by his first name, her boss when she was a publicist at Vintage Books. Russell, who loved “cheap trinkets” from flea markets, had “the timeless charm of a movie star, the competitive edge of a Spartan,” and—one of many marvelous details—a “thatch of salt-and-pepper hair, seemingly scalped from the roof of an English country house.” Over the years, the two became more than boss and subordinate, teasing one another at work, sharing dinners, enjoying “idyllic scenes” at his Connecticut country home, “a modest farmhouse with peeling paint and fragile plumbing…the house that Windex forgot.” It was in the barn at that house that Russell took his own life. Despite the obvious difference in the severity of robbery and suicide, Crosley fashions a sharp narrative that finds commonality in the dislocation brought on by these events. The book is no hagiography—she notes harassment complaints against Russell for thoughtlessly tossed-off comments, plus critiques of the “deeply antiquated and often backward” publishing industry—but the result is a warm remembrance sure to resonate with anyone who has experienced loss.

A marvelously tender memoir on suicide and loss.

Pub Date: Feb. 27, 2024

ISBN: 9780374609849

Page Count: 208

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Sept. 19, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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THE MINOTAUR AT CALLE LANZA

An intriguing but uneven family memoir and travelogue.

An author’s trip to Venice takes a distinctly Borgesian turn.

In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.

An intriguing but uneven family memoir and travelogue.

Pub Date: April 2, 2024

ISBN: 9781953368669

Page Count: 144

Publisher: Belt Publishing

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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