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WELCOME TO THE GODDAMN ICE CUBE

CHASING FEAR AND FINDING HOME IN THE GREAT WHITE NORTH

Indelible characters, adventurous spirit, and acute psychological insight combine in this multilayered debut.

A memoir of arctic adventure that goes deeper into self-discovery and finding a home.

“I’ve spent more than half my life pointed northward, trying to answer private questions about violence and belonging and cold,” writes Braverman, a dog sledder and journalist whose frequent, extended visits to Norway and Alaska began from personal circumstances but soon assumed the significance of a quest to find a place where she belonged. Her journey from innocence to experience followed the map from south to north: “While southern Norwegians took pride in their restraint…northerners were loose and vulgar. They cursed, slurred their words, joked often about sex and death, and gauged time loosely.” As a teenage foreign exchange student in Norway who later led dog sled teams for tourists in Alaska, Braverman was frequently tested by the male-dominated culture, wondering when jokes crossed the line into something more, whether she was experiencing harassment or it was just in her head. Though the narrative jumps back and forth, chronologically and geographically, the voice throughout remains as insightful and engaging as it is uncertain, from a young woman who is never quite certain if she is safe, not only from the climate, but from so-called civilization, and where danger might lie. “The thing was, nothing that had happened to me…was beyond the normal scope of what happened to women all the time. Some harassment by an authority figure, a few sexual remarks, pressure from an insistent boyfriend?” Yet her experience allowed her to recognize what had been wrong all along, as she found pleasure in sex where she didn’t feel that pressure and fell in love of her own volition. Her external experiences are extraordinary in the frigid north that so few have experienced, but it’s what happens internally that both sets this memoir apart and gives it universal resonance.

Indelible characters, adventurous spirit, and acute psychological insight combine in this multilayered debut.

Pub Date: July 5, 2016

ISBN: 978-0062311566

Page Count: 288

Publisher: Ecco/HarperCollins

Review Posted Online: May 1, 2016

Kirkus Reviews Issue: May 15, 2016

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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